He was not different from other boys in his desire to localize, to
realize, what he read; and he was always contriving in fancy scenes and
encounters of the greatest splendor, in which he bore a chief part.
Inwardly he was all thrones, principalities, and powers, the foe of
tyrants, the friend of good emperors, and the intimate of magicians, and
magnificently apparelled; outwardly he was an incorrigible little
sloven, who suffered in all social exigencies from the direst
bashfulness, and wished nothing so much as to shrink out of the sight of
men if they spoke to him. He could not help revealing sometimes to the
kindness of his father and mother the world of foolish dreams one half
of him lived in, while the other half swam, and fished, and hunted, and
ran races, and played tops and marbles, and squabbled and scuffled in
the Boy's Town. Very likely they sympathized with him more than they let
him know; they encouraged his reading, and the father directed his taste
as far as might be, especially in poetry. The boy liked to make poetry,
but he preferred to read prose, though he listened to the poems his
father read aloud, so as to learn how they were made. He learned certain
pieces by heart, like "The Turk lay dreaming of the hour," and "Pity the
sorrows of a poor old man," and he was fond of some passages that his
father wished him to know in Thomson's "Seasons." There were some of
Moore's songs, too, that he was fond of, such as "When in death I shall
calm recline," and "It was noon and on flowers that ranged all around."
He learned these by heart, to declaim at school, where he spoke, "On the
banks of the Danube fair Adelaide hied," from Campbell; but he could
hardly speak the "Soldier's Dream" for the lump that came into his
throat at the lines,
"My little ones kissed me a thousand times o'er,
And my wife sobbed aloud in her fulness of heart.
"'Stay, stay with us! Stay! Thou art weary and worn!'
And fain was their war-broken soldier to stay;
But sorrow returned at the dawning of morn,
And the voice in my dreaming ear melted away!"
He was himself both the war-broken soldier and the little ones that
kissed him, in the rapture of this now old-fashioned music, and he woke
with pangs of heartbreak in the very person of the dreamer.
Public-domain text, read in full here on John Shaqi.
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