But such disgraces are soon lived down, even at ten years, and a great new experience which now came to him possibly helped the boy to forget. This was the theatre, which he had sometimes heard his father speak of. There had once been a theatre in the Boy's Town, when a strolling company came up from Cincinnati, and opened for a season in an empty pork-house. But that was a long time ago, and, though he had written a tragedy, all that the boy knew of a theatre was from a picture in a Sunday-school book where a stage scene was given to show what kind of desperate amusements a person might come to in middle life if he began by breaking the Sabbath in his youth. His brother had once been taken to a theatre in Pittsburgh by one of their river-going uncles, and he often told about it; but my boy formed no conception of the beautiful reality from his accounts of a burglar who jumped from a roof and was chased by a watchman with a pistol up and down a street with houses painted on a curtain. [Illustration: "THE BEACON OF DEATH."] The company which came to the Boy's Town in his time was again from Cincinnati, and it was under the management of the father and mother of two actresses, afterwards famous, who were then children, just starting upon their career. These pretty little creatures took the leading parts in "Bombastes Furioso," the first night my boy ever saw a play, and he instantly fell impartially in love with both of them, and tacitly remained their abject slave for a great while after. When the smaller of them came out with a large pair of stage boots in one hand and a drawn sword in the other, and said, "Whoever dares these boots displace Shall meet Bombastes face to face," if the boy had not already been bereft of his senses by the melodrama preceding the burlesque, he must have been transported by her beauty, her grace, her genius. He, indeed, gave her and her sister his heart, but his mind was already gone, rapt from him by the adorable pirate who fought a losing fight with broadswords, two up and two down--click-click, click-click--and died all over the deck of the pirate ship in the opening piece. This was called the "Beacon of Death," and the scene represented the forecastle of the pirate ship with a lantern dangling from the rigging, to lure unsuspecting merchantmen to their doom. Afterwards, the boy remembered nothing of the story, but a scrap of the dialogue meaninglessly remained with him; and when the pirate captain appeared with his bloody crew and said, hoarsely, "Let us go below and get some brandy!" the boy would have bartered all his hopes of bliss to have been that abandoned ruffian. In fact, he always liked, and longed to be, the villain, rather than any other person in the play, and he so glutted himself with crime of every sort in his tender years at the theatre that he afterwards came to be very tired of it, and avoided the plays and novels that had very marked villains in them.