A Breath of Prairie and other storiesLillibridge, Will
General
A Breath of Prairie and other stories
Lillibridge, Will
Short stories, American
In a room, half-lighted by the red rays of a harvest moon, a woman lay
in the shadow; face downward, on the bed. It was not the figure of
youth: the full lines of waist and hip spoke maturity. She was sobbing
aloud and bitterly, so that her whole body trembled.
The clock struck the hour, the half, again the hour; and yet she lay
there, but quiet, with face turned toward the window and the big, red
harvest moon. It was not a handsome face; besides, now it was
tear-stained and hard with the reflection of a bitter battle fought.
A light foot tapped down the hallway and stopped in front of the door.
There was gentle accompaniment on the panel to the query, "Are you
asleep?"
The woman on the bed opened her eyes wider, without a word.
The step in the hall tapped away into silence. The firm, round arm in
its black elbow-sleeve setting, white, beautiful, made a motion of
impatience and of weariness; then slowly, so slowly that one could
scarce mark its coming, the blank stupor that comes as Nature's
panacea to those whom she has tortured to the limit, crept over the
woman, and the big brown eyes closed. The moon passed over and the
night-wind, murmuring lower and lower, became still. In the darkness
and silence the woman sobbed as she slept.
In the lonely, uncertain time between night and morning she awoke; her
face and the pillow were damp with the tears of sleep. She was numb
from the drawing of tight clothing, and with a great mental pain and a
confused sense of sadness, that weighed on her like a tangible thing.
Her mind groped uncertainly for a moment; then, with a great rush, the
past night and the things before it returned to her.
"Oh, God, Thy injustice to us women!" she moaned.
The words roused her; and, craving companionship, she rose and lit the
gas.
Back and forth she crossed the room, avoiding the furniture as by
instinct--one moment smiling, bitter; the next with face moving,
uncontrollable, and eyes damp: all the moods, the passions of a
woman's soul showing here where none other might see. Tired out, at
last, she stopped and disrobed, swiftly, without a glance at her own
reflection, and returned to bed.
Nature will not be forced. Sleep will not come again. She can only
think, and thoughts are madness. She gets up and moves to her desk.
Aimlessly at first, as a respite, she begins to write. Her thoughts
take words as she writes, and a great determination, an impulse of the
moment, comes to her. She takes up fresh paper and writes sheet after
sheet, swiftly. Passion sways the hand that writes, and shines warmly
from the big, brown eyes. The first light of morning stains the east
as she collects the scattered sheets, and writes a name on the
envelope, a name which brings a tenderness to her eyes. Stealthily she
tiptoes down the stairs and places the letter where the servant will
see, and mail it in the early morning. A glad light, the light of
relief, is in her face as she steals back slowly and creeps into bed.
Public-domain text, read in full here on John Shaqi.
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