8. But it is not at all as a poet, but as a prose-writer, that Addison is famous in the history of literature. While he was in Ireland, his friend Steele started +The Tatler+, in 1709; and Addison sent numerous contributions to this little paper. In 1711, Steele began a still more famous paper, which he called +The Spectator+; and Addison’s writings in this morning journal made its reputation. His contributions are distinguishable by being signed with some one of the letters of the name _Clio_-- the Muse of History. A third paper, +The Guardian+, appeared a few years after; and Addison’s contributions to it are designated by a hand ([->]) at the foot of each. In addition to his numerous prose-writings, Addison brought out the tragedy of +Cato+ in 1713. It was very successful; but it is now neither read nor acted. Some of his hymns, however, are beautiful, and are well known. Such are the hymn beginning, “The spacious firmament on high;” and his version of the 23d Psalm, “The Lord my pasture shall prepare.” 9. Addison’s prose style is inimitable, easy, graceful, full of humour-- full of good humour, delicate, with a sweet and kindly rhythm, and always musical to the ear. He is the most graceful of social satirists; and his genial creation of the character of +Sir Roger de Coverley+ will live for ever. While his work in verse is never more than second-rate, his writings in prose are always first-rate. Dr Johnson said of his prose: “Whoever wishes to attain an English style-- familiar but not coarse, and elegant but not ostentatious,-- must give his days and nights to the study of Addison.” Lord Lytton also remarks: “His style has that nameless urbanity in which we recognise the perfection of manner; courteous, but not courtier-like; so dignified, yet so kindly; so easy, yet high-bred. It is the most perfect form of English.” His style, however, must be acknowledged to want force-- to be easy rather than vigorous; and it has not the splendid march of Jeremy Taylor, or the noble power of Savage Landor.