A Bullet for CinderellaMacDonald, John D. (John Dann)
General
A Bullet for Cinderella
MacDonald, John D. (John Dann)
American fiction -- 20th century; Detective and mystery stories
I lay on my side. She lay facing me. I saw the sheen of her eyes and
the whiteness of her teeth in the half light of the cave. I could sense
the soft tempo of her breathing.
"So we wait," she said.
"And we'll have to be very careful. He likes the night."
"We'll be careful. It's worth being careful. You know, Tal, I thought
all along this would get messed up. Now I don't think so any more.
Isn't that strange? Now that it is as bad as it can get, I think we're
going to make it."
"I hope so."
She rolled onto her back. Her voice was soft. "We're going to make it.
We'll get to the car. There's enough money here. It isn't worth the
risk of going back after my things. We'll drive through the night, Tal.
We'll drive all night. We'll take turns. I'm a good driver. I know
just how it's going to be. We'll go to New Orleans. We can be there
late tomorrow. I know a man there. He'll help us. We'll sell the car
there. We'll catch our plane there. We'll have everything new. All
new clothes. Mexico City first, I think. Then over to Havana. I was
in Havana once. With--a friend. No, not Havana. Where will we go from
there, Tal?"
"Rio, Buenos Aires. Then Paris."
"Paris, of course. It's funny. I've always been looking. Like that
game where you come into the room and they've named something but you
don't know what it is and you have to find out. I've been looking for
something I don't know the name of. Ever feel like that?"
"Yes."
"You don't know what it is, but you want it. You look in a lot of
places for it. You try a lot of things, but they aren't it. This time I
know I'm going to find it."
We were quiet for a long time. She turned toward me again. I put
my hand on the curve of her waist, let it rest there, and felt the
quickening tempo of her breathing.
I do not try to excuse it. Until then she had had no special appeal
to me. I can try to explain it. It is an urgency that comes at times
of danger. It is something deep in the blood, that urgency. It is a
message from the blood. You may die. Live this once more, this last
time. Or it may be more complicated. There may be defiance in it. Your
answer to the blackness that wants to swallow you. To leave this one
thing behind you. To perform this act which may leave a life behind
you, the only possible guarantee of immortality in any form.
When catastrophe strikes cities, people learn of this basal urge. Men
and women in war know it. It is present in great intensity in many
kinds of sickness. Men and women are triggered by danger, and they lie
together in a hungry quickness in the cellars of bombed houses, behind
the brush of mountain trails, in lifeboats, on forgotten beaches, on
the grounds of sanitariums.
Public-domain text, read in full here on John Shaqi.
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