A call : $b The tale of two passionsFord, Ford Madox
General
A call : $b The tale of two passions
Ford, Ford Madox
English fiction -- 20th century
“Ah,” she said slowly, and she looked at him with the straight,
remorseless glance and spoke with the little, cold expressionless voice
that made him think of her for the rest of his life as if she were the
unpitying angel that barred for our first parents the return into Eden,
“you see that at least! That is where we all are--flying as far apart
as the poles.”
Grimshaw suddenly extended both his hands in a gesture of mute agony,
but she drew back both her own.
“That again,” she said, “is our day and our class. And that’s the best
that’s to be said for us. We haven’t learned wisdom: we’ve only learned
how to behave. We cannot avoid tragedies.”
She paused and repeated with a deeper note of passion than he had ever
heard her allow herself:
“Tragedies! Yes, in our day and in our class we don’t allow ourselves
easy things like daggers and poison-bowls. It’s all more difficult.
It’s all more difficult because it goes on and goes on. We think we’ve
made it easier because we’ve slackened old ties. You’re in and out of
the house all day long, and I can go around with you everywhere. But
just because we’ve slackened the old ties, just because marriage is
a weaker thing than it used to be--in our day and in our class”--she
repeated the words with deep bitterness and looked unflinchingly into
his eyes--“we’ve strengthened so immensely the other kind of ties. If
you’d been married to Miss Lascarides you’d probably not have been
faithful to her. As it is, just because your honour’s involved you find
yourself tied to her as no monk ever was by his vow.”
She looked down at her feet and then again at his eyes, and in her
glance there was a cold stream of accusation that appeared incredible,
coming from a creature so small, so fragile, and so reserved. Grimshaw
stood with his head hanging forward upon his chest: the scene seemed
to move with an intolerable slowness, and to him her attitude of
detachment was unspeakably sad. It was as if she spoke from a great
distance--as if she were a ghost fading away into dimness. He could not
again raise his hands towards her: he could utter no endearments: her
gesture of abnegation had been too absolute and too determined. With
her eyes full upon him she said:
“You do not love Katya Lascarides: you are as cold to her as a stone.
You love me, and you have ruined all our lives. But it doesn’t end, it
goes on. We fly as far asunder as the poles, and it goes on for good.”
She stopped as suddenly as she had begun to speak, and what she had
said was so true, and the sudden revelation of what burned beneath the
surface of a creature so small and apparently so cold--the touch of
fierce hunger in her voice, of pained resentment in her eyes--these
things so overwhelmed Robert Grimshaw that for a long time, still he
remained silent. Then suddenly he said:
Public-domain text, read in full here on John Shaqi.
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