England -- Social life and customs -- 20th century -- Fiction; Murder -- Fiction; Mystery fiction
It was the optophone, and perhaps you may have seen, or rather heard it.
It is an instrument for enabling a totally blind man to read a page of
ordinary print. I myself had never heard of the thing, and am not sure
that I give a technically correct description of it now, but, as I
understand it, the page travels along the carriage in such a way that
each letter in turn passes over a tiny ray of light that is directed
through a morsel of selenium. The letter causes an interruption; a
lower-case "l," for example, which is a straight line, making one kind
of break, but an "i," which is the "l" with the dot cut off the top, a
different one; and so with the other letters. The transmutation is of
light into sound, and the official assured us that with a very little
practice the ear learns to distinguish the minute variations in the
telephonic receiver without difficulty.
Remembering Hubbard's former (to me lunatic) conjectures that day when I
had called on him at the Admiralty, I thought it an odd chance that I
should come upon him examining such a thing as this optophone seemed to
be; but our talk did not begin with that. Leaving the instrument, we
turned away between glass showcases of fabrics and British glass and
brilliant dyes and crystals and approached a window-bay that looked out
on a gray courtyard.
"Well, what are you doing here?" he said again cheerfully. "It's a long
time since you looked me up."
I told him that I went to all sorts of places in search of a little
clowning for the _Circus_, and added that it was precisely the same
distance from his place to mine as from mine to his. He laughed.
"I should have thought this was out of your line," he replied. "Well,
what's the news?"
It was not likely that Hubbard had forgotten incidents so remarkable as
those of that Lennox Street breakfast-party. Moreover, I could see he
was sorry he had met me at this dead hour of the afternoon; he always
talked better over lunch at Simpson's, with a Bronx or a Martini to
start off with. Failing these, there was nothing for it but a cup of tea
to wash down our chat, and as a matter of fact it was at a Slater's
place in the Strand, with a rather good little band of violin, 'cello
and piano that, a quarter of an hour later, we settled down.
"Well, Esdaile's taken your friend Chummy away," I observed when our
teapots had been brought.
"Oh, he has, has he?" said Hubbard. "Queer business that, wasn't it?
Have you made anything of it all yet?"
"I can't say I have; but then I'm rather at a disadvantage in not
knowing your friend. Tell me something about him."
"Well--what, for example?"
"As I know nothing you can't go far wrong," I replied.
Public-domain text, read in full here on John Shaqi.
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