Each cow is escorted by two youths, one on each side, and a third
figure, perhaps a marshal, at the head. Those of the escort who
are on the side of the spectator are represented in vigorous
action, guiding and restraining the animals by ropes, which may
have been painted on the marble. All are clad in the himation,
which in the figures actively engaged in controlling the cattle
is worn so as to leave one or both shoulders free. Compare the
description of Heliodorus, p. 147. In slab xxxix. the action is
very animated. The youth, No. 85, leans back with his foot pressed
against a rock, to restrain the cow. This motive is a favourite
one in fifth century art. Compare the west frieze, No. 15; a
metope of the Theseion representing Theseus and the bull of
Marathon; the balustrade of the temple of Nikè Apteros (No. 429);
and vase paintings as in _Journ. of Hellen. Studies_, ii., pl. 10.
[Sidenote: 96.]
In slab xl. the left lower corner is added in plaster, from the
original fragment at Athens. In slab xxxviii. the cow's right horn
must have been carved in the round, only the tip being attached to
the background of the relief. In slab xlii., No. 96 has both hands
raised to his head, as if adjusting a wreath. Compare the north
frieze, No. 25. What was the number of cattle in this part of the
frieze cannot now be ascertained, but there is evidence that there
were at least nine, and more probably ten.
[Sidenote: 91.]
Michaelis (_Arch. Zeit._, 1885, p. 57), in placing xlii. after
xl., makes the right hand seen on the left of xlii. to be the hand
of No. 91 (= Michaelis, No. 115), and the portion of a cow's belly
seen between 90 and 91 to be part of the cow on the left of xlii.
It is to be noticed that the hind legs of this cow have been
altogether omitted.
There is a curious inequality in the depths of the relief in this
part of the frieze. Slabs xxxix., xl. are worked more in the round
than the remaining groups with cattle.
[Sidenote: 100, 101.]
[Sidenote: 102.]
The fragment with the two heads, Nos. 100 and 101, may be, as
Michaelis suggests, a part of the corner slab xliv., the two parts
at present numbered as 101, 102 being different parts of the same
figure. The positions of the head and the foot appear to agree. On
the other hand, the surfaces of the two fragments have weathered
very differently.
On the return face of slab xliv. is the marshal, who forms the
first figure of the east frieze, and makes a connection between
the two sides, by looking back, as if to the advancing procession.
Public-domain text, read in full here on John Shaqi.
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