Part of a relief, from the upper part of an inscribed stelè. Athenè
stands on the left, and with her right hand she crowns a draped male
figure, apparently a bearded man, who raises his right arm as if
in adoration. Athenè wears a helmet and chiton with diploïdion, and
places her left hand on her shield, of which the inner side is shown.
The spear of Athenè rests against her left shoulder, with its end on
the ground inside the shield. The relief is bounded by pilasters, with
entablature and roof-tiles. The figure of Athenè (like Nos. 771, 772)
is roughly copied from the Athenè Parthenos of Pheidias.
Pentelic marble; height, 1 foot 6 inches; width, 9-3/4 inches.
[Sidenote: =774.=]
Relief: Apollo receiving a libation from Victory. Apollo wears the
dress of a Kitharoedos, namely, a long chiton with sleeves, over
which is a diploïdion girt at the waist; a mantle hangs from his left
shoulder; his long hair is looped up in a broad plait behind, under a
diadem; a single long plait falls over each ear; he holds out a
bowl with his right hand, while his left strikes his lyre, which is
supported by a broad band passing over the left wrist; from the lyre
hang two ends of ribbons; he wears armlets and sandals. The Victory is
clad in a long chiton, over which is a diploïdion girt at the waist;
she wears bracelets and armlets. Both figures stand with the heels
raised from the ground: at the side of the Victory is a circular
altar, on which is sculptured in relief a winged female figure between
two festoons. This subject occurs on several other reliefs in marble,
for one of which see below, No. 775, and also on a terracotta relief
in the British Museum. (For a list, see Welcker, _Alte Denkmaeler_,
ii., p. 37.) All these sculptures exhibit the same peculiar style of
affected archaism, known as archaistic. On a comparison of the reliefs
in which this subject occurs, it will be seen that the one here
described is part of a larger composition in which Leto and Artemis
follow behind Apollo, and a temple is introduced in the background; a
tripod, a statue on a pedestal, the _omphalos_, a plane tree, and the
Horae on the altar also occur as accessories. It seems probable that
these reliefs are votive, and that in selecting as their subject
the victory of Apollo in a musical contest, the dedicator
indirectly commemorated his own triumph in a similar exercise of
skill.--_Hamilton Coll., 1772._
Marble; height, 2 feet 1 inch; width, 2 feet 1 inch. Restored: the
greater part of the body of Apollo, lower part of body of Victory,
column on left, and lower part of column on right. The parts
restored have been copied from more perfect marbles in the Villa
Albani. _Mus. Marbles_, II., pl. 13; Ellis, _Townley Gallery_,
II., p. 113; _Guide to Graeco-Roman Sculptures_, I., No. 169;
Wolters, No. 427; Welcker, _Alte Denkmaeler_, II., p. 41.
[Sidenote: =775.=]
Public-domain text, read in full here on John Shaqi.
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