A century of English essays : $b An anthology ranging from Caxton to R. L. Stevenson & the writers of our own time
General
A century of English essays : $b An anthology ranging from Caxton to R. L. Stevenson & the writers of our own time
English essays; English literature
are thinking all the time that you ought to rejoin your party. "Out
upon such half-faced fellowship," say I. I like to be either entirely
to myself, or entirely at the disposal of others; to talk or be
silent, to walk or sit still, to be sociable or solitary. I was
pleased with an observation of Mr. Cobbett's, that "he thought it a
bad French custom to drink our wine with our meals, and that an
Englishman ought to do only one thing at a time." So I cannot talk and
think, or indulge in melancholy musing and lively conversation by fits
and starts, "Let me have a companion of my way," says Sterne, "were it
but to remark how the shadows lengthen as the sun declines." It is
beautifully said: but in my opinion, this continual comparing of notes
interferes with the involuntary impression of things upon the mind,
and hurts the sentiment. If you only hint what you feel in a kind of
dumb show, it is insipid: if you have to explain it, it is making a
toil of a pleasure. You cannot read the book of nature, without being
perpetually put to the trouble of translating it for the benefit of
others. I am for the synthetical method on a journey, in preference to
the analytical. I am content to lay in a stock of ideas then, and to
examine and anatomise them afterwards. I want to see my vague notions
float like the down of the thistle before the breeze, and not to have
them entangled in the briars and thorns of controversy. For once, I
like to have it all my own way; and this is impossible unless you are
alone, or in such company as I do not covet. I have no objection to
argue a point with any one for twenty miles of measured road, but not
for pleasure. If you remark the scent of a beanfield crossing the
road, perhaps your fellow-traveller has no smell. If you point to a
distant object, perhaps he is short-sighted, and has to take out his
glass to look at it. There is a feeling in the air, a tone in the
colour of a cloud which hits your fancy, but the effect of which you
are unable to account for. There is then no sympathy, but an uneasy
craving after it, and a dissatisfaction which pursues you on the way,
and in the end probably produces ill humour. Now I never quarrel with
myself, and take all my own conclusions for granted till I find it
necessary to defend them against objections. It is not merely that you
may not be of accord on the objects and circumstances that present
themselves before you--these may recal a number of objects, and lead
to associations too delicate and refined to be possibly communicated
to others. Yet these I love to cherish, and sometimes still fondly
clutch them, when I can escape from the throng to do so. To give way
to our feelings before company, seems extravagance or affectation; and
on the other hand, to have to unravel this mystery of our being at
every turn, and to make others take an equal interest in it (otherwise
the end is not answered) is a task to which few are competent. We must
Public-domain text, read in full here on John Shaqi.
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