A century of English essays : $b An anthology ranging from Caxton to R. L. Stevenson & the writers of our own time
General
A century of English essays : $b An anthology ranging from Caxton to R. L. Stevenson & the writers of our own time
English essays; English literature
In general, a good thing spoils out-of-door prospects: it should be
reserved for Table-talk. L---- is for this reason, I take it, the
worst company in the world out of doors; because he is the best
within. I grant, there is one subject on which it is pleasant to talk
on a journey; and that is, what one shall have for supper when we get
to our inn at night. The open air improves this sort of conversation
or friendly altercation, by setting a keener edge on appetite. Every
mile of the road heightens the flavour of the viands we expect at the
end of it. How fine it is to enter some old town, walled and turreted
just at the approach of night-fall, or to come to some straggling
village, with the lights streaming through the surrounding gloom; and
then after inquiring for the best entertainment that the place
affords, to "take one's ease at one's inn!" These eventful moments in
our lives' history are too precious, too full of solid, heart-felt
happiness to be frittered and dribbled away in imperfect sympathy. I
would have them all to myself, and drain them to the last drop: they
will do to talk of or to write about afterwards. What a delicate
speculation it is, after drinking whole goblets of tea,
"The cups that cheer, but not inebriate,"
and letting the fumes ascend into the brain, to sit considering what
we shall have for supper--eggs and a rasher, a rabbit smothered in
onions, or an excellent veal-cutlet! Sancho in such a situation once
fixed upon cow-heel; and his choice, though he could not help it, is
not to be disparaged. Then in the intervals of pictured scenery and
Shandean contemplation, to catch the preparation and the stir in the
kitchen--_Procul, O procul este profani!_ These hours are sacred to
silence and to musing, to be treasured up in the memory, and to feed
the source of smiling thoughts hereafter. I would not waste them in
idle talk; or if I must have the integrity of fancy broken in upon, I
would rather it were by a stranger than a friend. A stranger takes his
hue and character from the time and place; he is a part of the
furniture and costume of an inn. If he is a Quaker, or from the West
Riding of Yorkshire, so much the better. I do not even try to
sympathise with him, and he breaks no squares. I associate nothing
with my travelling companion but present objects and passing events.
In his ignorance of me and my affairs, I in a manner forget myself.
But a friend reminds one of other things, rips up old grievances, and
destroys the abstraction of the scene. He comes in ungraciously
between us and our imaginary character. Something is dropped in the
course of conversation that gives a hint of your profession and
pursuits; or from having some one with you that knows the less sublime
portions of your history, it seems that other people do. You are no
longer a citizen of the world: but your "unhoused free condition is
put into circumscription and confine." The _incognito_ of an inn is
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account