A century of English essays : $b An anthology ranging from Caxton to R. L. Stevenson & the writers of our own time
General
A century of English essays : $b An anthology ranging from Caxton to R. L. Stevenson & the writers of our own time
English essays; English literature
showers," and a budding ash-tree dipped its tender branches in the
chiding stream. How proud, how glad I was to walk along the high road
that overlooks the delicious prospect, repeating the lines which I
have just quoted from Mr. Coleridge's poems. But besides the prospect
which opened beneath my feet, another also opened to my inward sight,
a heavenly vision, on which were written, in letters large as Hope
could make them, these four words, LIBERTY, GENIUS, LOVE, VIRTUE;
which have since faded into the light of common day, or mock my idle
gaze.
"The beautiful is vanished, and returns not."
Still I would return some time or other to this enchanted spot; but I
would return to it alone. What other self could I find to share that
influx of thoughts, of regret, and delight, the fragments of which I
could hardly conjure up to myself, so much have they been broken and
defaced! I could stand on some tall rock, and overlook the precipice
of years that separates me from what I then was. I was at that time
going shortly to visit the poet whom I have above named. Where is he
now? Not only I myself have changed; the world, which was then new to
me, has become old and incorrigible. Yet will I turn to thee in
thought, O sylvan Dee, in joy, in youth and gladness as thou then
wert; and thou shalt always be to me the river of Paradise, where I
will drink of the waters of life freely!
There is hardly any thing that shows the short-sightedness or
capriciousness of the imagination more than travelling does. With
change of place we change our ideas; nay, our opinions and feelings.
We can by an effort indeed transport ourselves to old and
long-forgotten scenes, and then the picture of the mind revives again;
but we forget those that we have just left. It seems that we can think
but of one place at a time. The canvas of the fancy is but of a
certain extent, and if we paint one set of objects upon it, they
immediately efface every other. We cannot enlarge our conceptions, we
only shift our point of view. The landscape bares its bosom to the
enraptured eye, we take our fill of it, and seem as if we could form
no other image of beauty or grandeur. We pass on, and think no more of
it: the horizon that shuts it from our sight, also blots it from our
memory like a dream. In travelling through a wild barren country, I
can form no idea of a woody and cultivated one. It appears to me that
all the world must be barren, like what I see of it. In the country we
forget the town, and in town we despise the country. "Beyond Hyde
Park," says Sir Fopling Flutter, "all is a desert." All that part of
the map that we do not see before us is a blank. The world in our
conceit of it is not much bigger than a nutshell. It is not one
prospect expanded into another, county joined to county, kingdom to
kingdom, lands to seas, making an image voluminous and vast;--the mind
can form no larger idea of space than the eye can take in at a single
glance.
Public-domain text, read in full here on John Shaqi.
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