A century of English essays : $b An anthology ranging from Caxton to R. L. Stevenson & the writers of our own time
General
A century of English essays : $b An anthology ranging from Caxton to R. L. Stevenson & the writers of our own time
English essays; English literature
It reads, it admires, it extols only because it is the fashion, not
from any love of the subject or the man. It cries you up or runs you
down out of mere caprice and levity. If you have pleased it, it is
jealous of its own involuntary acknowledgment of merit, and seizes the
first opportunity, the first shabby pretext, to pick a quarrel with
you, and be quits once more. Every petty caviller is erected into a
judge, every tale-bearer is implicitly believed. Every little low
paltry creature that gaped and wondered only because others did so, is
glad to find you (as he thinks) on a level with himself. An author is
not then, after all, a being of another order. Public admiration is
forced, and goes against the grain. Public obloquy is cordial and
sincere: every individual feels his own importance in it. They give
you up bound hand and foot into the power of your accusers. To attempt
to defend yourself is a high crime and misdemeanour, a contempt of
court, an extreme piece of impertinence. Or, if you prove every charge
unfounded, they never think of retracting their error, or making you
amends. It would be a compromise of their dignity; they consider
themselves as the party injured, and resent your innocence as an
imputation on their judgment. The celebrated Bub Doddington, when out
of favour at court, said "he would not _justify_ before his sovereign:
it was for Majesty to be displeased, and for him to believe himself in
the wrong!" The public are not quite so modest. People already begin
to talk of the Scotch Novels as overrated. How then can common authors
be supposed to keep their heads long above water? As a general rule,
all those who live by the public starve, and are made a bye-word and a
standing jest into the bargain. Posterity is no better (not a bit more
enlightened or more liberal), except that you are no longer in their
power, and that the voice of common fame saves them the trouble of
deciding on your claims. The public now are the posterity of Milton
and Shakespeare. Our posterity will be the living public of a future
generation. When a man is dead, they put money in his coffin, erect
monuments to his memory, and celebrate the anniversary of his birthday
in set speeches. Would they take any notice of him if he were living?
No!--I was complaining of this to a Scotchman who had been attending a
dinner and a subscription to raise a monument to Burns. He replied, he
would sooner subscribe twenty pounds to his monument than have given
it him while living; so that if the poet were to come to life again,
he would treat him just as he was treated in fact. This was an honest
Scotchman. What _he_ said, the rest would do.
Public-domain text, read in full here on John Shaqi.
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