Already it is manifest that some of the articles are quite without
parallel in any existing collection of Egyptian antiquities. Parallels
to most of them, probably to all, doubtless existed, and we can well
imagine that even the finest things may have been far surpassed by the
magnificence of a really great Pharaoh, such as Amenhotep III; but
these splendours of the culminating period of the Empire no longer
exist, or at least have not yet come to light, and we were obliged to
form our conception of them from reliefs and paintings, and to fill in
the details of their magnificence from our knowledge of the grandeur
of the monarch for whose use they were made. Now for the first time
we can see the actual creations themselves, and even if they belong,
not to one of the greatest of the Pharaohs, but to a comparatively
undistinguished monarch, still they represent the art of a period not
far removed from the historic culmination of Egypt’s greatness, and it
is quite within the bounds of possibility, as we shall see, that some
of the most striking of them do indeed belong to the greater age of
Tutankhamen’s ancestors, rather than to his own.
Of all the articles so far removed from the tomb, the one which has
attracted the most attention, and excited the most admiration, has
been the Royal Throne, or Chair of State, which was found in the outer
chamber. “It is one of the wonders of the world,” was the comment of
Professor Breasted on his first view of it, and there seems to be
little doubt that this enthusiastic praise is well deserved. Within
the last quarter of a century, two of the royal thrones of two of the
greatest empires of the ancient world have been brought to light, and
the simple dignity of the Throne of Minos, discovered by Sir Arthur
Evans in the Palace of Knossos, forms a most effective contrast and
foil to the gorgeousness of the Throne of Tutankhamen of Thebes, from
which it may be separated in date by not much more than a century, the
Cretan throne being the earlier, and indeed the earliest royal throne
known to exist.
Public-domain text, read in full here on John Shaqi.
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