"My son," responded the colonel, as he whetted the carving knife on
the steel--a form which was used more for rhetorical effect than,
culinary necessity, as there were pork chops on the platter, "my son,
no true gentleman will rebuke another who is trying to lend him money.
Always remember that." And the colonel's great body shook with
merriment, as he proceeded to fill up the plates. But one plate went
from the table untouched, and Molly Culpepper went about her work with
a leaden heart. For the world had become a horrible phantasm to her, a
place of longing and of heartache, a place of temptation and trial,
lying under the shadow of tragedy. And whose world was it that night,
as she sat chattering with her father and the man she feared, whose
world was it that night, if this is a real world, and not the shadow
of a dream? Was it the colonel's gay world, or John's golden world, or
Ward's harmonious world, or poor little Molly's world--all askew with
miserable duties and racking heartaches, and grinning sneering fears,
with the relentless image of the Larger Good always before her? Surely
it was not all their worlds, for there is only one world. Then whose
was it? God who made it and set it in the heavens in His great love
and mercy only knows. Watts McHurdie once wrote some query like this,
and the whole town smiled at his fancy. In that portion of his
"Complete Poetical and Philosophical Works" called "Fragments" occur
these lines:--
"The wise men say
This world spins 'round the universe of which it is a part;
But anyway--
The only world I know about is spun from out my heart."
And perhaps Watts, sewing away in his harness shop, had deciphered one
letter in the riddle of the Sphinx.
CHAPTER XII
"If I ever get to be a Turk or anything like that," said Watts
McHurdie, in October, two months after the events recorded in the last
chapter had occurred, as he sat astraddle of his bench, sewing on a
bridle, "I'm going to have one red-headed wife--but not much more'n
one."
Colonel Culpepper dropped a "Why?" into the reflections of the poet.
Watts replied, "Oh, just to complete the set!"
The colonel did not answer and Watts chuckled: "I figure out that
women are a study. You learn this one and pat yourself on the
breast-bone and say, 'Behold me, I'm on to women.' But you ain't.
Another comes along and you have to begin at the beginning and learn
'em all over. I wonder if Solomon who had a thousand--more or
less--got all his wisdom from them."
Public-domain text, read in full here on John Shaqi.
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