"And take it from the bank you've just got done robbing of everything
but the wall-paper?" Hendricks retorted.
"No," cried Barclay, in a loud voice. "Come off your high horse and
take the profits we'll make on our wheat, pay off old Brownwell and
marry her."
"And let the bank bust and the farmers slide?" asked Hendricks, "and
buy back Molly with stolen money? Is that your idea?"
"Well," Barclay snapped, "you have your choice, so if you think more
of the bank and your old hayseeds than you do of Molly, don't come
blubbering around me about selling her."
"John," sighed Hendricks, after a long wrestle--a final contest with
his demon, "I've gone all over that. And I have decided that if I've
got to swindle seventy-five or a hundred farmers--most of them old
soldiers on their homesteads--out of their little all, and cheat five
hundred depositors out of their money to get Molly, she and I wouldn't
be very happy when we thought of the price, and we'd always think of
the price." His demon was limp in the background of his soul as he
added: "Here are some papers I brought over. Let's get back to the
settlement--fix them up and bring them over to the bank this morning,
will you?" And laying a package carefully on the table, Hendricks
turned and went quickly out of the room.
After Hendricks left the office that May morning, Barclay sat
whistling the air of the song of the "Evening Star," looking blankly
at a picture of Wagner hanging beside a picture of Jay Gould. The tune
seemed to restore his soul. When he had been whistling softly for five
minutes or so, the idea flashed across his mind that flour was the one
thing used in America more than any other food product and that if a
man had his money invested in the manufacture and sale of flour, he
would have an investment that would weather any panic. The idea
overcame him, and he shut his eyes and his ears and gripped his chair
and whistled and saw visions. Molly Culpepper came into the room, and
paused a moment on the threshold as one afraid to interrupt a sleeper.
She saw the dapper little man kicking the chair rounds with his
dangling heels, his flushed face reflecting a brain full of blood, his
eyes shut, his head thrown far back, so that his Adam's apple stuck up
irrelevantly, and she knew only by the persistence of the soft low
whistle that he was awake, clutching at some day-dream. When she
cleared her throat, he was startled and stared at her foolishly for a
moment, with the vision still upon him. His wits came to him, and he
rose to greet her.
"Well--well--why--hello, Molly--I was just figuring on a matter,"
he said as he put her in a chair, and then he added, "Well--I wasn't
expecting you."
Even before she could speak his lips were puckering to pick up the
tune he had dropped. She answered, "No, John, I wanted to see you--so
I just came up."
"Oh, that's all right, Molly--what is it?" he returned.
Public-domain text, read in full here on John Shaqi.
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