This joy, so offensive to Rose's memory, now seems to me very comical.
I stimulate the captain to further confidences. And I say to him, in a
tone of reproach:
"Captain, I think you are not just to Rose."
"Egad!" he rejoins, quickly. "You do not know; you don't know anything
about it. She did not go to tell you of all the scenes that she made,
her tyranny, her jealousy, her egoism. Nothing belonged to me here any
longer. Everything in my house was hers. For instance, you would not
believe it, my Voltaire arm-chair was never at my disposition. She had
it all the time. She had everything, for that matter. To think that I
could no longer eat asparagus with oil, because she did not like it!
Oh! she did well to die. It was the best thing that could happen to
her, for, in some way or other, I should have gotten rid of her. Yes,
yes, I should have gotten rid of her. She was becoming too much for me.
I had had enough. And let me tell you; if I had died before her, Rose
would have been prettily trapped. I had a bitter pill in store for her.
My word for it!"
His lip curls in a smile that ends in an atrocious grimace. He
continues, chopping each of his words with moist little puffs of
laughter:
"You know that I made a will, in which I gave her everything,--house,
money, dividends, everything. She must have told you; she told
everybody. Yes, but what she did not tell you, because she did not know
it, is that, two months later, I made a second will, cancelling the
first, in which I did not leave her anything,--not a sou."
Unable to contain himself longer, he bursts out laughing, a strident
laugh that scatters through the garden like a flight of scolding
sparrows. And he cries:
"Ah! that's an idea, hey? Oh! her head,--you can see it from here,--on
learning that I had left my little fortune to the French Academy. For,
my little Célestine, it is true; I had left my fortune to the French
Academy. Ah! that's an idea!"
I allow his laughter to become quieter, and then I gravely ask him:
"And now, Captain, what are you going to do?"
The captain gives me a long, sly, amorous look, and says:
"Well, that depends on you."
"On me?"
"Yes, on you; on you alone."
"And how is that?"
A moment of silence follows, during which, straightening up and
twisting his pointed beard, he seeks to envelop me in a seductive fluid.
"Come," he says, suddenly, "let us go straight to the point. Let us
speak squarely,--soldier-fashion. Do you wish to take Rose's place?"
I was expecting the attack. I had seen it coming from the depth of his
eyes. It does not surprise me. I receive it with a serious and unmoved
expression.
"And the wills, Captain?"
"Oh! I tear them up."
I object:
"But I do not know how to cook."
"Oh! I will do the cooking; I will make my bed; I will do everything."
He becomes gallant, sprightly; his eye sparkles. He leans towards the
hedge, stretching out his neck. His eyes become bloodshot. And in a
lower voice he says:
Public-domain text, read in full here on John Shaqi.
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