Mme. Paulhat-Durand was named neither Paulhat or Durand; these two
names, which go so well together, she acquired, it seems, from two
gentlemen, dead to-day, with whom she had lived, and who had supplied
her with funds to open her employment-bureau. Her real name was
Josephine Carp. Like many keepers of employment-bureaus, she was an
old chambermaid. That was to be seen, moreover, in her pretentious
bearing, in her manners, modeled upon those of the great ladies in
whose service she had been, and beneath which, in spite of her gold
chain and black silk dress, one could see the filth of her inferior
origin. She showed all the insolence of an old domestic, but she
reserved this insolence for us exclusively, showing her customers, on
the contrary, a servile obsequiousness, proportioned to their wealth
and social rank.
"Oh! what a set of people, Madame the Countess," said she, with an
air of affectation. "Chambermaids _de luxe_,--that is, wenches who
are unwilling to do anything, who do not work, and whose honesty and
morality I do not guarantee,--as many of those as you want! But women
who work, who sew, who know their trade,--there are no more of them; I
have no more of them; nobody has any more of them. That's the way it
is."
Yet her bureau was well patronized. She had the custom especially
of the people in the Champs-Elysées quarter, consisting largely of
foreigners and Jewesses. Ah! the scandals that I know about them!
The door opens into a hall leading to the _salon_, where Mme.
Paulhat-Durand is enthroned in her perpetual black silk dress. At the
left of the hall is a sort of dark hole, a vast ante-room with circular
benches, and in the middle a table recovered with faded red serge.
Nothing else. The ante-room is lighted only by a narrow strip of glass
set in the upper part of the partition which separates the room from
the employment-bureau, and running its entire length. A bad light, a
light more gloomy than darkness, comes through this glass, coating
objects and faces with something less than a twilight glimmer.
We came there every morning and every afternoon, heaps of us,--cooks
and chambermaids, gardeners and valets, coachmen and butlers,--and we
spent our time in telling each other of our misfortunes, in running
down the masters, and in wishing for extraordinary, fairy-like,
liberating places. Some brought books and newspapers, which they read
passionately; others wrote letters. Now gay, now sad, our buzzing
conversations were often interrupted by the sudden irruption of Mme.
Paulhat-Durand, like a gust of wind.
"Be silent, young women," she cried. "It is impossible to hear
ourselves in the _salon_."
Or else she called in a curt, shrill voice:
"Mademoiselle Jeanne!"
Public-domain text, read in full here on John Shaqi.
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