Among the girls who came daily to Mme. Paulhat-Durand's I had noticed one especially, in the first place because she wore a Breton cap, and then because the very sight of her filled me with unconquerable melancholy. A peasant girl astray in Paris, in this frightful, jostling, feverish Paris,--I know nothing more lamentable. Involuntarily it invites me to a survey of my own past, and moves me infinitely. Where is she going? Where does she come from? Why did she leave her home? What madness, what tragedy, what tempest has pushed her forth, and stranded her, a sorrowful waif, in this roaring human sea? These questions I asked myself every day, as I examined this poor girl sitting in her corner, so frightfully isolated. She was ugly with that definitive ugliness which excludes all idea of pity and makes people ferocious, because it is really an offence to them. However disgraced she may be by nature, a woman rarely reaches the point of total and absolute ugliness, utter degeneracy from the human estate. Generally she has something, no matter what,--eyes, a mouth, an undulation of the body, a bending of the hips, or less than that, a movement of the arms, a coupling of the wrist, a freshness of skin, upon which others may rest their eyes without being offended. Even in the very old a certain grace almost always survives the deformations of the body, the death of sex, and the seamy flesh betrays some souvenir of what they formerly were. The Breton had nothing of the kind, and she was very young. Little, long-waisted, angular, with flat hips, and legs so short that it seemed as if she really called to mind those barbarian virgins, those snub-nosed saints, shapeless blocks of granite that have been leaning for centuries, in loneliness, on the inclined arms of Armorican Calvaries. And her face? Ah! the unfortunate! An overhanging brow; pupils so dim in outline that they seemed to have been rubbed with a rag; a horrible nose, flat at the start, gashed with a furrow down the middle, and suddenly turning up at its tip, and opening into two black, round, deep, enormous holes, fringed with stiff hair. And over all this a gray and scaly skin,--the skin of a dead adder, a skin that, in the light, looked as if it had been sprinkled with flour. Yet the unspeakable creature had one beauty that many beautiful women would have envied,--her hair, magnificent, heavy, thick hair, of a resplendent red reflecting gold and purple. But, far from being a palliation of her ugliness, this hair only aggravated it, making it more striking, fulgurating, irreparable.