There she was, near the window, in a false light, standing motionless,
with hanging arms. A hard shadow, like a thick veil, added confusion to
the ugliness of her face, and made still more of a heap of the short
and massive deformity of her body. A hard light illuminated the lower
locks of her hair, enhanced the shapelessness of her arms and breast,
and lost itself in the dark folds of her deplorable skirt. An old lady
was examining her. She was sitting in a chair with her back toward
me,--a hostile back, a ferocious neck. Of this old lady I saw nothing
but her black cap, with its ridiculous plumes, her black cape, whose
lining turned up at the bottom in grey fur, and her black gown, which
made rings upon the carpet. I saw especially, lying upon one of her
knees, her hand gloved with black floss-silk, a knotty and gouty hand
that moved slowly about, the fingers stretching out and drawing back,
clutching the material of her dress, as talons fasten upon living prey.
Standing near the table, very erect and dignified, Mme. Paulhat-Durand
was waiting.
It seems a small matter, does it not? the meeting of these three
commonplace beings, in this commonplace setting. In this very ordinary
fact there was nothing to cause one to stop, nothing to move one.
Nevertheless it seemed to me an enormous drama, these three persons,
silently gazing at one another. I felt that I was witnessing a social
tragedy, terrible, agonizing, worse than a murder! My throat was dry.
My heart beat violently.
"I do not get a good view of you, my little one," said the old lady,
suddenly. "Do not stay there; I do not get a good view of you. Go to
the rear of the room, that I may see you better."
And she cried, in an astonished voice:
"My God! how little you are!"
In saying these words, she had moved her chair, and now I had a sight
of her profile. I expected to see a hooked nose, long teeth protruding
from the mouth, and the round and yellow eye of a hawk. Not at all;
her face was calm, rather amiable. In truth, there was no expression
at all in her eyes, either kind or unkind. She must have been an old
shop-keeper, retired from business. Merchants have this faculty of
acquiring a special physiognomy, revealing nothing of their inner
nature. In proportion as they grow hardened in their business, and
as the habit of unjust and rapid gains develops low instincts and
ferocious ambitions, the expression of their face softens, or, rather,
becomes neutralized. That in them which is bad, that which might
inspire distrust in their customers, hides itself in the privacies of
their being, or takes refuge on corporeal surfaces that are ordinarily
destitute of any expression whatever. In this old lady the hardness of
her soul, invisible in her eyes, in her mouth, in her forehead, in all
the relaxed muscles of her flabby face, was exhibited prominently in
her neck. Her neck was her real face, and this face was terrible.
Public-domain text, read in full here on John Shaqi.
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