The scenes between Monsieur and Madame always began in Madame's
dressing-room, and always grew out of trifling pretexts, out of
nothing. The more trifling the pretext, the more violent was the scene.
After which, having vomited all that their hearts contained of long
pent-up bitterness and wrath, they sulked for entire weeks. Monsieur
retired into his room, where he played solitaire and rearranged
his collection of pipes in new harmonies. Madame remained all the
time in her room, where, stretched upon a long chair, she read love
stories, interrupting her reading only to rearrange her closets and
her wardrobe, with rage and frenzy,--such a pillage! They met only
at meals. At first, not being familiar with their manias, I thought
they were going to throw plates, knives, and bottles at each other's
heads. Nothing of the kind, alas! It was at these times that they were
the best behaved, and that Madame contrived to appear like a woman
of society. They talked about their little affairs as if nothing had
happened,--a little more ceremoniously than usual, with a little more
cold and stilted politeness,--that was all. One would have said they
were dining in town. Then, the meal finished, with serious air, sad
eyes, and very dignified, they retired to their respective rooms.
Madame began again on her novels and drawers, Monsieur on his solitaire
and his pipes. Sometimes Monsieur went to pass an hour or two at
his club, but rarely. And they exchanged a furious correspondence,
hen-shaped or heart-shaped love-letters, with the transmission of which
I was entrusted. All day long I played the letter-carrier, bearing
terrible ultimatums, threats, supplications, pardons, and tears, from
the room of Madame to that of Monsieur. It was enough to make one die
of laughter.
After a few days, they became reconciled, just as they had fallen out,
without any apparent reason. And there were sobs, and "Oh, you naughty
boy!" "Oh! you naughty girl!" and "It is over, do I not tell you it is
over?" And they went away to have a little fête at the restaurant, and
the next day arose very late, much fatigued.
I at once understood the farce that the two poor actors were playing
for themselves. And, when they threatened to leave each other, I
knew very well that they were not sincere. They were riveted to each
other,--he by his interest, she by her vanity. Monsieur clung to
Madame's money, Madame held fast to Monsieur's name and title. But, as
in reality they detested each other, precisely because of this dupe's
bargain that bound them, they felt the need of saying so to each other
from time to time, and of giving to their disappointment, their spite,
and their contempt an expression as base as their souls.
"What are such lives good for?" said I to William.
"For Baby!" answered William, who, under all circumstances, found the
accurate and final word.
Public-domain text, read in full here on John Shaqi.
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