A domestic is not a normal being, a social being. He is an incongruous
personage, made up of pieces and bits that cannot fit into one another,
that can only lie next one another. He is something worse,--a monstrous
human hybrid. He is no longer of the people, whence he came; neither
is he of the _bourgeoisie_, among whom he lives and toward whom he
tends. He has lost the generous blood and the artless strength of the
people that he has denied, and has gained the shameful vices of the
_bourgeoisie_, without having succeeded in acquiring the means of
satisfying them,--the vile sentiments, the cowardly fears, the criminal
appetites, without the setting, and consequently without the excuse, of
wealth. With a soiled soul, he traverses this respectable _bourgeois_
world, and, simply from having breathed the mortal odor that rises
from these putrid sinks, he loses forever the security of his mind,
and even the very form of his personality. At the bottom of all these
recollections, amid this host of figures among whom he wanders, a
phantom of himself, he finds nothing to work upon but filth,--that is,
suffering. He laughs often, but his laugh is forced. This laugh does
not come from joy found or from hope realized, and it shows the bitter
grimace of rebellion, the hard and contracted curve of sarcasm. Nothing
is more sorrowful and ugly than this laugh; it burns and withers. It
would have been better, perhaps, if I had wept. And then, I do not
know. And then, _zut!_ Come what will.
But nothing comes at all,--never anything. And I cannot accustom myself
to that. It is this monotony, this absolute fixity in life, that is the
hardest thing for me to endure. I should like to go away from here. Go
away? But where and how? I do not know, and I stay.
Madame is always the same; distrustful, methodical, severe, rapacious,
without an impulse, without a caprice, without a particle of
spontaneity, without a ray of joy upon her marble face. Monsieur has
resumed his habits, and I imagine, from certain sullen airs, that he
has a spite against me because of my severity; but his spites are not
dangerous. After breakfast, armed and gaitered, he starts off on a
hunting expedition, returns at night, asks me only to help him in
taking off his boots, and goes to bed at nine o'clock. He is still
awkward, comical, and irresolute. He is growing fat. How can people as
rich as they are be resigned to so dismal an existence? Sometimes I
question myself regarding Monsieur. What should I have done with him?
He has no money, and would have given me no pleasure. And especially as
Madame is not jealous!
The terrible thing about this house is its silence. I cannot get used
to it. Yet, in spite of myself, I am beginning to glide, to "walk in
the air," as Joseph says. Often in these dark passage-ways, alongside
these cold walls, I seem to myself like a spectre, like a ghost. And I
am stifling in it all. And I stay.
Public-domain text, read in full here on John Shaqi.
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