"O, we went to the Hotel Dieu, for one thing, and afterwards we looked into the court-yard of the convent; and there another of his pleasant little traits came out,--a way he has of always putting you in the wrong even when it's a matter of no consequence any way, and there needn't be any right or wrong about it. I remembered the place because Mrs. March, you know, showed us a rose that one of the nuns in the hospital gave her, and I tried to tell Mr. Arbuton about it, and he graciously took it as if poor Mrs. March had made an advance towards his acquaintance. I do wish you could see what a lovely place that court-yard is, Fanny. It's so strange that such a thing should be right there, in the heart of this crowded city; but there it was, with its peasant cottage on one side, and its long, low barns on the other, and those wide-horned Canadian cows munching at the racks of hay outside, and pigeons and chickens all about among their feet--" "Yes, yes; never mind all that, Kitty. You know I hate nature. Go on about Mr. Arbuton," said Mrs. Ellison, who did not mean a sarcasm. "It looked like a farmyard in a picture, far out in the country somewhere," resumed Kitty; "and Mr. Arbuton did it the honor to say it was just like Normandy." "Kitty!" "He did, indeed, Fanny; and the cows didn't go down on their knees out of gratitude, either. Well, off on the right were the hospital buildings climbing up, you know, with their stone walls and steep roofs, and windows dropped about over them, like our convent here; and there was an artist there, sketching it all; he had such a brown, pleasant face, with a little black mustache and imperial, and such gay black eyes that nobody could help falling in love with him; and he was talking in such a free-and-easy way with the lazy workmen and women overlooking him. He jotted down a little image of the Virgin in a niche on the wall, and one of the people called out,--Mr. Arbuton was translating,--'Look there! with one touch he's made our Blessed Lady.' 'O,' says the painter, 'that's nothing; with three touches I can make the entire Holy Family.' And they all laughed; and that little joke, you know, won my heart,--I don't hear many jokes from Mr. Arbuton;--and so I said what a blessed life a painter's must be, for it would give you a right to be a vagrant, and you could wander through the world, seeing everything that was lovely and funny, and nobody could blame you; and I wondered everybody who had the chance didn't learn to sketch. Mr. Arbuton took it seriously, and said people had to have something more than the chance to learn before they could sketch, and that most of them were an affliction with their sketchbooks, and he had seen too much of the sad effects of drawing from casts. And he put me in the wrong, as he always does. Don't you see? I didn't want to learn drawing; I wanted to be a painter, and go about sketching beautiful old convents, and sit on camp-stools on