pleasant afternoons, and joke with people. Of course, he couldn't understand that. But I know the artist could. O Fanny, if it had only been the painter whose arm I took that first day on the boat, instead of Mr. Arbuton! But the worst of it is, he is making a hypocrite of me, and a cowardly, unnatural girl. I wanted to go nearer and look at the painter's sketch; but I was ashamed to say I'd never seen a real artist's sketch before, and I'm getting to be ashamed, or to seem ashamed, of a great many innocent things. He has a way of not seeming to think it possible that any one he associates with can differ from him. And I do differ from him. I differ from him as much as my whole past life differs from his; I know I'm just the kind of production that he disapproves of, and that I'm altogether irregular and unauthorized and unjustifiable; and though it's funny to have him talking to me as if I must have the sympathy of a rich girl with his ideas, it's provoking, too, and it's very bad for me. Up to the present moment, Fanny, if you want to know, that's the principal effect of Mr. Arbuton on me. I'm being gradually snubbed and scared into treasons, stratagems, and spoils." Mrs. Ellison did not find all this so very grievous, for she was one of those women who like a snub from the superior sex, if it does not involve a slight to their beauty or their power of pleasing. But she thought it best not to enter into the question, and merely said, "But surely, Kitty, there are a great many things in Mr. Arbuton that you must respect." "Respect? O, yes, indeed! But respect isn't just the thing for one who seems to consider himself sacred. Say _revere_, Fanny; say revere!" Kitty had risen from her chair, but Mrs. Ellison waved her again to her seat with an imploring gesture. "Don't go, Kitty; I'm not half done with you yet. You _must_ tell me something more. You've stirred me up so, now. I know you don't always have such disagreeable times. You've often come home quite happy. What do you generally find to talk about? Do tell me some particulars for once." "Why, little topics come up, you know. But sometimes we don't talk at all, because I don't like to say what I think or feel, for fear I should be thinking or feeling something vulgar. Mr. Arbuton is rather a blight upon conversation in that way. He makes you doubtful whether there isn't something a little common in breathing and the circulation of the blood, and whether it wouldn't be true refinement to stop them." "Stuff, Kitty! He's very cultivated, isn't he? Don't you talk about books? He's read everything, I suppose." "O yes, he's _read_ enough." "What do you mean?" "Nothing. Only sometimes it seems to me as if he hadn't read because he loved it, but because he thought it due to himself. But maybe I'm mistaken. I could imagine a delicate poem shutting up half its sweetness from his cold, cold scrutiny,--if you will excuse the floweriness of the idea."