Cabinet system -- Great Britain -- Fiction; English fiction -- 20th century; Great Britain -- Politics and government -- Fiction
The tenor was indifferent to his sarcasm, the bass was touched.
“You know very well, sir,” he said, “what the criminal classes are, or
rather you gentlemen don’t know. Why, he’d cut the women’s throats in
the night and make off with the valuables.”
“Would he cut mine?” asked William Bailey as he followed them from room
to room.
“He’s capable of it,” said the bass, nodding mysteriously. “He’s not an
ordinary stowaway,” he continued, lowering his voice almost to a gruff
whisper, “_he’s well known to the police_. He’s _Stappy_, that’s what
he is, STAPPY THE CLINKER! He’s done this trick before, getting aboard
a vessel and pretending he’s a vagabun; the Chief knows all about him!
He did a man in last Monday night in London!”
To the unhappy man in the bathroom there returned with vivid horror the
recollection of Lewes Gaol; but so long as William Bailey’s wits did
not fail him he knew that more than even chances were in his favour.
His mood changed suddenly, however, when the police, who had been
perambulating the small rooms near his retreat, suddenly rattled the
door of his bathroom and said:
“What’s in here?”
“I do beg of you to take care, gentlemen,” said William Bailey angrily,
“that’s the bathroom, and if you want to know, my niece is inside.”
“Oh I beg your pardon,” said the bass, “I’m sure.” He had the sense not
to doubt the master of the house in a matter directly concerning his
own interest. But the tenor added:
“We must make a note of it, sir.”
“By all means,” said William Bailey, “by all means. Her name is
Rebecca.”
George Mulross Demaine, in the delight of the very warm water, was
soothed to hear them tramping heavily down the stairs once more.
They examined every room and cranny of the place until they came to the
study door.
“It’s my study,” said William Bailey apologetically, “I always keep it
locked.”
He unlocked it and they entered. Their trained eyes could see nothing
unusual in the aspect of the room until the tenor inadvertently
putting his hand upon the back of the arm-chair discovered it to be
both wet and to the taste salt. He had found a clue! In a voice of
excitement unworthy of his office, the intelligent officer shouted:
“We’ve got ’im sir, we’ve got ’im! He’s been here! Look--sea water.
We’ve got ’im!” He looked round wildly as though expecting to see the
runaway appear suddenly in mid-air between the floor and the ceiling.
“It is certainly most disconcerting,” said William Bailey in evident
alarm. “But wait a minute. Perhaps he came in here from the garden to
see what he could get, found the door locked on the outside and made
out through the garden again; that would explain everything.”
“No it wouldn’t sir,” said the bass respectfully, “it wouldn’t explain
_that_!” And his mind, which, if slower than his colleague’s, was prone
to sound conclusions, pointed his hand to the wreck of the fire, to the
heaps of soot that lay upon it, and the disturbance of the fender.
Public-domain text, read in full here on John Shaqi.
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