The expected lightning radiates round, and a rumbling as from its
subterranean vaults--if there are any--fills the castle. The lightning
repeats itself, and, coming after the aforesaid thoughts of martial men,
it bears a fanciful resemblance to swords moving in combat. It has the
very brassy hue of the ancient weapons that here were used. The so
sudden entry upon the scene of this metallic flame is as the entry of a
presiding exhibitor who unrolls the maps, uncurtains the pictures,
unlocks the cabinets, and effects a transformation by merely exposing the
materials of his science, unintelligibly cloaked till then. The abrupt
configuration of the bluffs and mounds is now for the first time clearly
revealed--mounds whereon, doubtless, spears and shields have frequently
lain while their owners loosened their sandals and yawned and stretched
their arms in the sun. For the first time, too, a glimpse is obtainable
of the true entrance used by its occupants of old, some way ahead.
There, where all passage has seemed to be inviolably barred by an almost
vertical facade, the ramparts are found to overlap each other like
loosely clasped fingers, between which a zigzag path may be followed--a
cunning construction that puzzles the uninformed eye. But its cunning,
even where not obscured by dilapidation, is now wasted on the solitary
forms of a few wild badgers, rabbits, and hares. Men must have often
gone out by those gates in the morning to battle with the Roman legions
under Vespasian; some to return no more, others to come back at evening,
bringing with them the noise of their heroic deeds. But not a page, not
a stone, has preserved their fame.
* * * * *
Acoustic perceptions multiply to-night. We can almost hear the stream of
years that have borne those deeds away from us. Strange articulations
seem to float on the air from that point, the gateway, where the
animation in past times must frequently have concentrated itself at hours
of coming and going, and general excitement. There arises an
ineradicable fancy that they are human voices; if so, they must be the
lingering air-borne vibrations of conversations uttered at least fifteen
hundred years ago. The attention is attracted from mere nebulous
imaginings about yonder spot by a real moving of something close at hand.
I recognize by the now moderate flashes of lightning, which are sheet-
like and nearly continuous, that it is the gradual elevation of a small
mound of earth. At first no larger than a man's fist it reaches the
dimensions of a hat, then sinks a little and is still. It is but the
heaving of a mole who chooses such weather as this to work in from some
instinct that there will be nobody abroad to molest him. As the fine
earth lifts and lifts and falls loosely aside fragments of burnt clay
roll out of it--clay that once formed part of cups or other vessels used
by the inhabitants of the fortress.
Public-domain text, read in full here on John Shaqi.
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