Tom Jones is still alive, with all his good and all his evil; he is walking about the streets; we meet him every day. We meet with him, we drink with him, we smoke with him, we talk with him, we talk about him. The only difference is that we have no longer the intellectual courage to write about him. We split up the supreme and central human being, Tom Jones, into a number of separate aspects. We let Mr. J. M. Barrie write about him in his good moments, and make him out better than he is. We let Zola write about him in his bad moments, and make him out much worse than he is. We let Maeterlinck celebrate those moments of spiritual panic which he knows to be cowardly; we let Mr. Rudyard Kipling celebrate those moments of brutality which he knows to be far more cowardly. We let obscene writers write about the obscenities of this ordinary man. We let puritan writers write about the purities of this ordinary man. We look through one peephole that makes men out as devils, and we call it the New Art. We look through another peephole that makes men out as angels, and we call it the New Theology. But if we pull down some dusty old books from the bookshelf, if we turn over some old mildewed leaves, and if in that obscurity and decay we find some faint traces of a tale about a complete man--such a man as is walking on the pavement outside--we suddenly pull a long face, and we call it the coarse morals of a bygone age. _'All Things Considered.'_ AUGUST 12th Self is the Gorgon. Vanity sees it in the mirror of other men and lives. Pride studies it for itself and is turned to stone. _'Heretics.'_ AUGUST 13th You complain of Catholicism for setting up an ideal of virginity; it did nothing of the kind. The whole human race set up an ideal of virginity; the Greeks in Athene, the Romans in the Vestal fire, set up an ideal of virginity. What then is your real quarrel with Catholicism? Your quarrel can only be, your quarrel really only is, that Catholicism has achieved an ideal of virginity; that it is no longer a mere piece of floating poetry. But if you, and a few feverish men, in top hats, running about in a street in London, choose to differ as to the ideal itself, not only from the Church, but from the Parthenon whose name means virginity, from the Roman Empire which went outwards from the virgin flame, from the whole legend and tradition of Europe, from the lion who will not touch virgins, from the unicorn who respects them, and who make up together the bearers of your own national shield, from the most living and lawless of your own poets, from Massinger, who wrote the 'Virgin Martyr,' from Shakespeare, who wrote 'Measure for Measure'--if you in Fleet Street differ from all this human experience, does it never strike you that it may be Fleet Street that is wrong? _'The Ball and the Cross.'_ AUGUST 14th