Then he grew up and married, and ever after he had the hardest kind of a time trying to make a living. He composed all sorts of things, plays with music called operas, and symphonies, which are written for whole orchestras to play; but he made so little money that when he died he had to be buried where they put people who were too poor to have a grave for themselves alone. People afterward thought it a shame that such a great composer should have no monument over his grave, but then it was too late to find where he was buried. A monument was put up, but to this day no one knows where Mozart’s body lies. A German named Beethoven had read the stories of the boy wonder, Mozart, and he thought he, too, would like to have a boy wonder to play before kings and queens. So when his son Louis was only five years old he kept the boy practising long hours at the piano until he became so tired that the tears ran down his cheeks. But Louis Beethoven, or Ludwig, as he was called in German, finally came to be one of the greatest musicians that have ever lived. He could sit at the piano and make up the most beautiful music as he went along--improvise, as it is called--but he was never satisfied with it when written down. Time and time again he would scratch out and rewrite his music until it had been rewritten often a dozen times. But Beethoven’s hearing began to grow dull. He was worried that he might lose it entirely--a terrible thing to happen to any one, but to one whose hearing was his fortune nothing could be worse. And at last he did become deaf. This loss of his hearing made Beethoven hopelessly sad and bad-tempered, cross with everything and everybody. Nevertheless, he didn’t give up; he kept on composing just the same, even after he could no longer hear what he had written. Another great and unusual German musician named Wagner lived until 1883. Though he practised all his life, he never could play very well. But he composed the most wonderful operas that have ever been written, and he wrote not only the music but the words, too. He took old myths and fairy-tales and made them into plays to be sung to music. At first some people made fun of his music, for it seemed to them so noisy and “slam-bangy” and without tune. But people now make fun of those “some people” who don’t like it! I have told you in other places of painters and poets, of architects and wise men, of kings and heroes, of wars and troubles. I have put this story of music of all ages in one chapter which I have tucked in here between the acts, to give you a rest for a moment from wars and rumors of wars. When I was a boy I never heard any great musicians play. Now you and I can turn on the phonograph any time and hear the music of Palestrina or Mozart, of Beethoven or Wagner, of dozens of other masters, played or sung to us whenever we wish; the greatest musicians become our slaves. No caliph in the “Arabian Nights” could command such service to his pleasure! 75