On that first story the doors stood ajar, three of them like three
ambushes, shaking his nerves like the throats of cannon. He could never
again, he felt, be sufficiently immured and fortified from men's
observing eyes; he longed to be home, girt in by walls, buried among
bed-clothes, and invisible to all but God. And at that thought he
wondered a little, recollecting tales of other murderers and the fear
they were said to entertain of heavenly avengers. It was not so, at
least, with him. He feared the laws of nature, lest, in their callous
and immutable procedure, they should preserve some damning evidence of
his crime. He feared tenfold more, with a slavish, superstitious
terror, some scission[14] in the continuity of man's experience, some
wilful illegality of nature. He played a game of skill, depending on
the rules, calculating consequence from cause; and what if nature, as
the defeated tyrant overthrew the chessboard, should break the mould of
their succession? The like had befallen Napoleon (so writers said) when
the winter changed the time of its appearance. The like might befall
Markheim: the solid walls might become transparent and reveal his
doings like those of bees in a glass hive; the stout planks might yield
under his foot like quicksands and detain him in their clutch; aye, and
there were soberer accidents that might destroy him: if, for instance,
the house should fall and imprison him beside the body of his victim;
or the house next door should fly on fire, and the firemen invade him
from all sides. These things he feared; and, in a sense, these things
might be called the hands of God reached forth against sin. But about
God himself he was at ease; his act was doubtless exceptional, but so
were his excuses, which God knew; it was there, and not among men, that
he felt sure of justice.
Public-domain text, read in full here on John Shaqi.
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