A Collection of Stories, Reviews and EssaysCather, Willa
General
A Collection of Stories, Reviews and Essays
Cather, Willa
Essays; Short stories; United States -- Social life and customs -- Fiction
There are clever men enough in the field of American letters, and
the fault of most of them is merely one of magnitude; they are not
large enough; they travel in small orbits, they play on muted
strings. They sing neither of the combats of Atriedes nor the labors
of Cadmus, but of the tea-table and the Odyssey of the Rialto.
Flaubert said that a drop of water contained all the elements of the
sea, save one--immensity. Mr. Norris is concerned only with serious
things, he has only large ambitions. His brush is bold, his color is
taken fresh from the kindly earth, his canvas is large enough to
hold American life, the real life of the people. He has come into
the court of the troubadours singing the song of Elys, the song of
warm, full nature. He has struck the true note of the common life.
He is what Mr. Norman Hapgood said the great American dramatist must
be: "A large human being, with a firm stomach, who knows and loves
the people."
_The Courier_, April 7, 1900
_When I Knew Stephen Crane_
It was, I think, in the spring of '94 that a slender, narrow-chested
fellow in a shabby grey suit, with a soft felt hat pulled low over
his eyes, sauntered into the office of the managing editor of the
Nebraska State Journal and introduced himself as Stephen Crane. He
stated that he was going to Mexico to do some work for the Bacheller
Syndicate and get rid of his cough, and that he would be stopping in
Lincoln for a few days. Later he explained that he was out of money
and would be compelled to wait until he got a check from the East
before he went further. I was a Junior at the Nebraska State
University at the time, and was doing some work for the State
Journal in my leisure time, and I happened to be in the managing
editor's room when Mr. Crane introduced himself. I was just off the
range; I knew a little Greek and something about cattle and a good
horse when I saw one, and beyond horses and cattle I considered
nothing of vital importance except good stories and the people who
wrote them. This was the first man of letters I had ever met in the
flesh, and when the young man announced who he was, I dropped into a
chair behind the editor's desk where I could stare at him without
being too much in evidence.
Public-domain text, read in full here on John Shaqi.
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