All the Baptist ladies liked Nell, even those who criticized her most severely, but the three who were first in fighting the battles of our little church, who held it together by their prayers and the labor of their hands, watched over her as they did over Mrs. Dow's century-plant before it blossomed. They looked for her on Sunday morning and smiled at her as she hurried, always a little late, up to the choir. When she rose and stood behind the organ and sang "There Is a Green Hill," one could see Mrs. Dow and Mrs. Freeze settle back in their accustomed seats and look up at her as if she had just come from that hill and had brought them glad tidings. It was because I sang contralto, or, as we said, alto, in the Baptist choir that Nell and I became friends. She was so gay and grown up, so busy with parties and dances and picnics, that I would scarcely have seen much of her had we not sung together. She liked me better than she did any of the older girls, who tried clumsily to be like her, and I felt almost as solicitous and admiring as did Mrs. Dow and Mrs. Spinny. I think even then I must have loved to see her bloom and glow, and I loved to hear her sing, in "The Ninety and Nine," But one was out on the hills away in her sweet, strong voice. Nell had never had a singing lesson, but she had sung from the time she could talk, and Mrs. Dow used fondly to say that it was singing so much that made her figure so pretty. After I went into the choir it was found to be easier to get Nelly to choir practice. If I stopped outside her gate on my way to church and coaxed her, she usually laughed, ran in for her hat and jacket, and went along with me. The three old ladies fostered our friendship, and because I was "quiet," they esteemed me a good influence for Nelly. This view was propounded in a sewing-circle discussion and, leaking down to us through our mothers, greatly amused us. Dear old ladies! It was so manifestly for what Nell was that they loved her, and yet they were always looking for "influences" to change her. The "Queen Esther" performance had cost us three months of hard practice, and it was not easy to keep Nell up to attending the tedious rehearsals. Some of the boys we knew were in the chorus of Assyrian youths, but the solo cast was made up of older people, and Nell found them very poky. We gave the cantata in the Baptist church on Christmas eve, "to a crowded house," as the Riverbend "Messenger" truly chronicled. The country folk for miles about had come in through a deep snow, and their teams and wagons stood in a long row at the hitch-bars on each side of the church door. It was certainly Nelly's night, for however much the tenor--he was her schoolmaster, and naturally thought poorly of her--might try to eclipse her in his dolorous solos about the rivers of Babylon, there could be no doubt as to whom the people had come to hear--and to see.