A Collection of Stories, Reviews and EssaysCather, Willa
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A Collection of Stories, Reviews and Essays
Cather, Willa
Essays; Short stories; United States -- Social life and customs -- Fiction
The wagon, as it jolted westward, climbed a pretty steady upgrade.
The country, receding from the rough river valley, swelled more and
more gently, as if it had been smoothed out by the wind. On one of
the last of the rugged ridges, at the end of a branch road, stood a
grim square house with a tin roof and double porches. Behind the
house stretched a row of broken, wind-racked poplars, and down the
hill-slope to the left straggled the sheds and stables. The old man
stopped his horses where the Ericsons' road branched across a dry
sand creek that wound about the foot of the hill.
"That's the old lady's place. Want I should drive in?"
"No, thank you. I'll roll out here. Much obliged to you. Good
night."
His passenger stepped down over the front wheel, and the old man
drove on reluctantly, looking back as if he would like to see how
the stranger would be received.
As Nils was crossing the dry creek he heard the restive tramp of a
horse coming toward him down the hill. Instantly he flashed out of
the road and stood behind a thicket of wild plum bushes that grew in
the sandy bed. Peering through the dusk, he saw a light horse, under
tight rein, descending the hill at a sharp walk. The rider was a
slender woman--barely visible against the dark hillside--wearing an
old-fashioned derby hat and a long riding-skirt. She sat lightly in
the saddle, with her chin high, and seemed to be looking into the
distance. As she passed the plum thicket her horse snuffed the air
and shied. She struck him, pulling him in sharply, with an angry
exclamation, "_Blázne!_" in Bohemian. Once in the main road, she let
him out into a lope, and they soon emerged upon the crest of high
land, where they moved along the skyline, silhouetted against the
band of faint color that lingered in the west. This horse and rider,
with their free, rhythmical gallop, were the only moving things to
be seen on the face of the flat country. They seemed, in the last
sad light of evening, not to be there accidentally, but as an
inevitable detail of the landscape.
Public-domain text, read in full here on John Shaqi.
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