Clara shook her head, but, seeing her father's disappointment, relented. "You taste it first. I don't want so much." Joe sampled it with a beatific expression, and turned to Nils. "You drink him slow, dis wine. He very soft, but he go down hot. You see!" After a second glass Nils declared that he couldn't take any more without getting sleepy. "Now get your fiddle, Vavrika," he said as he opened his flute-case. But Joe settled back in his wooden rocker and wagged his big carpet-slipper. "No-no-no-no-no-no-no! No play fiddle now any more: too much ache in de finger," waving them, "all-a-time rheumatiz. You play de flute, te-tety-te-tety-te. Bohemie songs." "I've forgotten all the Bohemian songs I used to play with you and Johanna. But here's one that will make Clara pout. You remember how her eyes used to snap when we called her the Bohemian Girl?" Nils lifted his flute and began "When Other Lips and Other Hearts," and Joe hummed the air in a husky baritone, waving his carpet-slipper. "Oh-h-h, das-a fine music," he cried, clapping his hands as Nils finished. "Now 'Marble Halls, Marble Halls'! Clara, you sing him." Clara smiled and leaned back in her chair, beginning softly: "_I dreamt that I dwelt in ma-a-arble halls, With vassals and serfs at my knee,_" and Joe hummed like a big bumble-bee. "There's one more you always played," Clara said quietly; "I remember that best." She locked her hands over her knee and began "The Heart Bowed Down," and sang it through without groping for the words. She was singing with a good deal of warmth when she came to the end of the old song: "_For memory is the only friend That grief can call its own._" Joe flashed out his red silk handkerchief and blew his nose, shaking his head. "No-no-no-no-no-no-no! Too sad, too sad! I not like-a dat. Play quick somet'ing gay now." Nils put his lips to the instrument, and Joe lay back in his chair, laughing and singing, "Oh, Evelina, Sweet Evelina!" Clara laughed, too. Long ago, when she and Nils went to high school, the model student of their class was a very homely girl in thick spectacles. Her name was Evelina Oleson; she had a long, swinging walk which somehow suggested the measure of that song, and they used mercilessly to sing it at her. "Dat ugly Oleson girl, she teach in de school," Joe gasped, "an' she still walk chust like dat, yup-a, yup-a, yup-a, chust like a camel she go! Now, Nils, we have some more li'l drink. Oh, yes-yes-yes-yes-yes-yes-_yes!_ Dis time you haf to drink, and Clara she haf to, so she show she not jealous. So, we all drink to your girl. You not tell her name, eh? No-no-no, I no make you tell. She pretty, eh? She make good sweetheart? I bet!" Joe winked and lifted his glass. "How soon you get married?" Nils screwed up his eyes. "That I don't know. When she says." Joe threw out his chest. "Das-a way boys talks. No way for mans. Mans say, 'You come to de church, an' get a hurry on you.' Das-a way mans talks."