‘You might as well have asked of old Raoul de Neuchamp to go back and make cider in Normandy, after he had fought shoulder to shoulder with Taillefer and Rollo at Hastings, and tasted the stern delight of harrying Saxon Franklins and burning monasteries. I have found a land where deeds are to be done, and where conquest, though but of the forces of Nature, is still possible. Here in this happy isle your lances are only used in the tilt-yard and tournament, your swords hang on the wall, your armour is rusty, your knights fight but over the wine-cup, your ladye-loves are ever in the bowers. With us, across the main, still the warhorse carries mail, the lances are not headless, and many a shrewd blow on shield and helmet rings still. ‘I am in the condition of “The Imprisoned Huntsman”— ‘My hawk is tired of perch and hood, My idle greyhound loathes his food, My steed is weary of his stall, And I am sick of captive thrall; I would I were, as I have been, Hunting the roe in forest green, With bended bow and bloodhound free, For that is the life that is meet for me.’ ‘I know from experience that it is as probable that a star should come down from the sky and do duty in the kitchen grate,’ said Courtenay Neuchamp sardonically, ‘as that you should listen to any one’s opinion but your own, or I would suggest that the falcon, and greyhound, and steed business is better if not exclusively performed in this hemisphere. I never doubted you would go your own road. But what does Antonia say to leaving the land of court circulars and Queen’s drawing-rooms and Paris bonnets fresh once a week?’ ‘She says’—and here Mrs. Neuchamp crept up to her husband’s side and placed her hand in his—‘that she is tired of Paradise—tired of perfect houses, unsurpassable servants and dinners, drives and drawing-rooms, lawn parties and archery meetings, the Academy and the Park, Belgravia and South Kensington—in fact, of everything and everybody except Neuchampstead and dear old Courtenay. She wants, like some one else, to go out into the world again, a real world, and not a sham one like the one in which rich people live in England. She is _living_, not life. Perhaps I am “_un peu_ Zingara”—who knows? It’s a mercy I’m not very dark, like some other Australians I have seen. But it is now the time to say, my dear Courtenay, that Ernest and I have grown tired of play, and want to go back to that end of the world where work grows.‘