"And I'm glad," returned Edmund, "that you haven't got your pistol.
You've been altogether too handy with it. Now," he continued, "let us
consider our situation. You see at a glance that we have gained a great
deal as a result of the parley; the way we have just been treated here
shows plainly enough that we shall, at least, have a fair trial, and we
couldn't have counted on that before. You can never make people listen to
reason against their inclination unless you hold certain advantages, and
our advantage was that we clearly had it in our power to continue our
flight. My only anxiety now is in regard to the means of holding them to
the agreement--for agreement it certainly was--and of impressing them not
only with a conviction of our innocence but with a sense of our reserve
power, and the more mysterious I can make that power seem to them, the
better. That is why I welcomed even the incident of Jack's smoking. We
shall surely be arraigned before a court of some kind, and I imagine that
we shall not have long to wait. What I wish particularly is that all of
you shall desist from every thought of resistance, and follow strictly
such instructions as I may have occasion to give you."
He had hardly ceased speaking when a number of official-looking persons
entered the room where we were.
"Here come the cops," said Jack. "Now for the police court."
He was not very far wrong. We were gravely conducted to one of the little
craft which served for elevators, and after a rapid descent, were led
through a maze of passages terminating in a vast and splendid apartment,
apparently perfectly square in plan, and at least three hundred feet on a
side. It was half filled with a brilliant throng, in which our entry
caused a sensation. Light entered through lofty windows on all four
sides. The floor seemed to be of a rose-colored marble, with inlaid
diapering of lapis lazuli, and the walls and ceiling were equally rich.
But that which absolutely fascinated the eye in this great apartment was
a huge circle high on the wall opposite the entrance door, like a great
clock face, or the rose window of a cathedral, from which poured
trembling streams of colored light.
"Chromatic music, once more," said Edmund, in a subdued voice. "Do you
know, that has a strange effect upon my spirits, situated as we are. It
is a prelude that may announce our fate; it might reveal to us the
complexion of our judges, if I could but read its meaning."
"It is too beautiful to spell tragedy," I said.
"Ah, who knows? What is so fascinating as tragedy for those who are only
lookers-on?"
"But, Edmund," I protested, "why do you, who are always the most hopeful,
now fall into despondency?"
Public-domain text, read in full here on John Shaqi.
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