"Very unlikely," Edmund returned, "but we shall find out all about it in
time; in the meanwhile, do nothing to prejudice him further, for he is a
power that we have got to reckon with."
The conversation then turned upon the mysterious language that had been
employed at what we called the trial. I expressed the admiration which I
had felt for such a means of communication when I had observed the effect
that Juba had been able to produce.
"Yes," said Edmund, "it seems as wonderful as it is beautiful, but there
is no reason why it should not have been acquired by the inhabitants of
the earth. We have the elements, not merely in what we call telepathy, or
mind reading, but in our everyday converse. Try it yourself, and you will
be astonished at what the eyes, the looks, are able to convey. Even
abstract ideas are not beyond their reach. Often we abandon speech for
this better method of conveying our meaning. How many a turn in the
history of mankind has depended upon the unspoken diplomacy of the eyes;
how many a crisis in our personal lives is determined, not by words, but
by looks."
"That's right," said Jack, "more matches are made with eyes than with
lips."
Edmund smiled and continued: "There's nothing really mysterious about it.
It has a purely physical basis, and only needs attention and development
to become the most perfect mode of mental communication that intellectual
beings could possibly possess."
"And the music and language of color?" I asked. "How has that been
developed?"
"As naturally as the silent speech. We have it, and we feel it, in
pictures, in flower gardens, and in landscapes; only with us it is a
frozen music. Living music exists on the earth only in the form of
sonorous vibrations because we have not developed our sense of the
harmony of colors except when they lie dead and motionless before us. A
great painting by Raphael or Turner is to one of these color hymns of
Venus like a printed score, which merely suggests its harmonies, compared
with the same composition when poured forth from a perfect instrument
under the fingers of a master player."
"Well, Edmund," interposed Jack, "I've no doubt it's all as you say, and
I'd like to know just enough of their speechless speech to tell Ingra
what he ought to hear; and if I understood their music, I'd play him a
dead march, sure."
"But," continued Edmund, disregarding Jack's interruption, "mark me,
there's something else behind all this. I have a dim foreglimpse of it,
and if we have luck, we'll know more before long."
I find that the enthusiasm which these wonderful memories arouse, as they
flood back into my mind, is leading me to dwell upon too many details,
and I must sum up in fewer words the story of the events which
immediately followed our acquittal, although it involves some of the most
astonishing discoveries that we made in the world of Venus.
Public-domain text, read in full here on John Shaqi.
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