Florida -- Fiction; Man-woman relationships -- Fiction; Young women -- Fiction
“Sing to us now, then, will you not?” said Aimée.
There was no insistence in her tone, only a courteous request; but
he complied immediately, as he would no doubt have complied had
she asked him to take a plunge into the sea. Nor did he require
more than an instant to decide what he would sing. As he watched
her uplifted face with the moonbeams falling on it, he had been
thinking of a song of Heine’s, and the music--Schumann’s music--was
in his throat, as it were; so he began at once:
“The lotus flower feareth
The splendor of the sun;
Bowing her head and dreaming,
She waits till the day is done.
“The moon he is her lover;
He wakes her with silvery light;
To him unveils she, smiling,
Her flower-face pure and white.
“She gazeth on high in silence,
Doth bloom and gleam and glow,
Exhaling and weeping and trembling
For love and love’s deep woe.”
He sang “divinely,” as Fanny had said, for Nature had given
him a voice of the finest order--a pure, melodious tenor--and,
though it had never received much training, there was something
in it to-night which took the place of training and made it
unnecessary--a thrill of emotion, a depth of expression, which
art can never teach. When the full, soft notes sank over the last
cadence, Fanny cried out with admiration, and even Mr. Joscelyn
condescended to say, “Bravo!”
But Aimée did not speak at once, and it was only when Lennox looked
into her “flower-face pure and white,” that she said, “You have a
great gift, Mr. Kyrle, and a great power to bestow pleasure.”
The words were kind, but what was there in the voice that seemed
to Kyrle’s ear like a touch of frost? The exaltation of his mood
sank under it, and he suddenly seemed in his own eyes to wear very
much the aspect of a fool. What had he been doing? Singing out his
heart to unsympathetic ears, led away by the magic of the night
and the fairness of a face which, after all, was the face of a
stranger, or, worse yet, of one who knew him only as the lover of
Fanny Meredith. What had possessed him to take leave of his senses
in this manner? Was this what was likely to happen to a man when he
came out of the desert and found himself in unaccustomed contact
with civilization again? Did the first lovely face on which he
looked lead his senses astray?
Public-domain text, read in full here on John Shaqi.
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