A Comedy of Masks: A NovelDowson, Ernest Christopher
General
A Comedy of Masks: A Novel
Dowson, Ernest Christopher
Fiction
As she drove up Bond Street one day soon after her return to town,
the advertisement of Oswyn's exhibition caught her eye. She would
probably have remembered a name so uncommon if she had only heard it
once, and, as it was, she had heard it several times, and associated
with it, moreover, a certain reticence which could not fail to
arouse a woman's curiosity.
Later, when Mosenthal's card of invitation for the Private View
arrived, she noted the day upon her list of engagements.
On the morning of Oswyn's ordeal, Eve sent a message to her husband,
who was engaged with a model in the studio, to notify to him her
intention of taking the carriage into town later in the afternoon;
to which he had returned a gallant reply, expressing a hope that, if
it would not bore her too much, she would pick him up somewhere and
drive him home. Where and when could he meet her? The reply, "At
Mosenthal's at five o'clock," did not surprise him. He did not
happen to have the vaguest idea as to what was the attraction of the
day at that particular gallery. It might be Burmese landscapes, or
portraits of parrots; it was all one to him. It was extremely
decorous in his wife to affect picture-galleries, and Mosenthal's
place was conveniently near to his favourite club.
A few minutes before the appointed hour he made his way, from the
new and alarmingly revolutionary club-house, where he had been
indulging in afternoon tea in company with Felicia Dollond, to the
gallery, outside which his horses were already waiting, and,
perceiving Oswyn's name on the placards disposed on either side of
the entrance, he felt only a momentary hesitation.
Oswyn would probably not be there; and, after all, why should he not
inspect the man's pictures?
Before reasons had time to present themselves he had passed into the
room, and had been deferentially welcomed and presented with a
catalogue by the proprietor in person.
The room was still crowded, and it was oppressively warm, with an
atmosphere redolent of woollen and silken fabrics, like a milliner's
shop on the day of a sale.
At first he made no effort to join his wife, whom he discerned from
afar talking to a pillar of the Church in gaiters and a
broad-brimmed hat.
He looked at the pictures whenever there was a break in the sequence
of bows and greetings which had to be exchanged with two-thirds of
the people in the room; and as he looked he was smitten with a quick
thrill of admiration: he was still young enough to recognise the
hand of the master. And in his admiration there was a trace of a
frank envy, a certain unresentful humiliation--the feeling which he
could remember to have experienced many times in the old days, when
he put aside the sonnet he had just finished for some fashionable
magazine, and took down from his limited bookshelf the little
time-worn volume which contained the almost forgotten work of a poet
whose name would have fallen strangely on the editorial ear.
Public-domain text, read in full here on John Shaqi.
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