A Comedy of Masks: A NovelDowson, Ernest Christopher
General
A Comedy of Masks: A Novel
Dowson, Ernest Christopher
Fiction
Lightmark's epistles just then were frequent and brief. The marriage
was definitely fixed; the Colonel, his uncle, had been liberal
beyond his hopes: a house in Grove Road of some splendour had been
taken for the young couple, who were to install themselves there
when the honeymoon, involving a sojourn in Paris and a descent into
Italy, was done. Hints of a visit to Rainham followed, which at
first he ignored; repeated in subsequent epistles with a greater
directness, their prospect filled him with a pleasure so strangely
mixed with pain that his pride took alarm. He thought it necessary
to disparage the scheme in a letter to Lightmark, of a coldness
which disgusted himself. Remorse seized him when it had been
despatched, and he cherished a hope that it might fail of its aim.
This, however, seemed improbable, when a fortnight had elapsed and
it had elicited no reply. From Lady Garnett, at the tail of one of
those long, witty, railing letters, in which the old lady excelled,
he heard that the marriage was an accomplished fact, and the birds
had flown. Mrs. Lightmark! the phrase tripped easily from his tongue
when he mentioned it at dinner to his neighbour, Mrs. Engel, to whom
the persons were known. Later in his room, face to face with the
facts which it signified, he had an intolerable hour. He had
extinguished his candle, and sat, partially undressed, in a mood of
singular blankness by the fire of gnarled olive logs, which had
smouldered down into one dull, red mass; and Eve's face was imaged
there to his sick fancy as he had seen it last in Dick's studio in
the vague light of an October evening, and yet with a certain new
shadow, half sad and half reproachful, in the beautiful eyes. After
all, had he done his best for the child? Now that this thing was
irrevocable and complete, a host of old misgivings and doubts, which
he had believed long ago banished, broke in upon him. He had only
asked that she should be happy--at least, he said, it had never
been a question of himself. He certainly knew nothing to Lightmark's
discredit, nothing which could have justified him in interfering,
even if interference could have prevailed. The two had fallen in
love with one another, and, the man not being visibly bad, the
marriage had come about; was there more to say? And yet Rainham's
ill-defined uneasiness still questioned and explored. A hundred
little episodes in his friendship with the brilliant young painter,
dismissed as of no import at the time, returned to him--instances,
as it seemed now to his morbid imagination, in which that character,
so frank and so enigmatic, rang scarcely true. And suddenly the
tragical story of Kitty Crichton intruded itself before him, with
all its shameful possibilities. Could Lightmark have lied to him?
Had not his sudden acquiescence in the painter's rendering of the
thing implied a lack of courage--been one of those undue indolences,
to which he was so prone, rather than any real testimony of his
Public-domain text, read in full here on John Shaqi.
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