A Commonplace Book of Thoughts, Memories, and Fancies.: 2nd ed.Jameson, Mrs. (Anna)
General
A Commonplace Book of Thoughts, Memories, and Fancies.: 2nd ed.
Jameson, Mrs. (Anna)
Art and literature; Commonplace books; Ethics; Quotations
But to those who take other views, the argument above contains the
_philosophical_ objection to Comte’s _system_, as such; and I repeat,
that it seems to me unanswerable; but there are excellent things in his
theory, notwithstanding;—things that make us pause and think. In some
parts it is like Christianity with Christ, as a _personalité_, omitted.
For Christ the humanised divine, he substitutes an abstract deified
humanity. 1854.
[Illustration]
[Illustration]
GOETHE.
(DICHTUNG UND WAHRHEIT.)
87.
“As a man embraces the determination to become a soldier and go to the
wars, bravely resolved to bear dangers, and difficulties, and wounds,
and death itself, but at the same time never anticipating the particular
form in which those evils may surprise us in an extremely unpleasant
manner;—just so we rush into authorship!”
88.
Goethe says of Lavater, “that the conception of humanity which had been
formed in himself, and in his own humanity, was so akin to the living
image of Christ, that it was impossible for him to conceive how a man
could live and breathe without being a Christian. He had, so to speak, a
physical affinity with Christianity; it was to him a necessity, not
only morally, but from organisation.”
Lavater’s individual feeling was, perhaps, but an anticipation of that
which may become general, universal. As we rise in the scale of being,
as we become more gentle, spiritualised, refined, and intelligent, will
not our “physical affinity” with the religion of Christ become more and
more apparent, till it is less a doctrine than a principle of life? So
its Divine Author knew, who prepared it for us, and is preparing and
moulding us through progressive improvement to comprehend and receive
it.
89.
Goethe speaks of “polishing up life with the varnish of fiction;” the
artistic turn of the man’s mind showed itself in this love of creating
an effect in his own eyes and in the eyes of others. But what can
fiction—what can poetry do for life, but present some one or two out of
the multitudinous aspects of that grand, beautiful, terrible, and
infinite mystery? or by _life_, does he mean here the mere external
forms of society?—for it is not clear.
[Illustration]
[Illustration]
HAZLITT’S “LIBER AMORIS.”
1827.
90.
Is love, like faith, ennobled through its own depth and fervour and
sincerity? or is it ennobled through the nobility, and degraded through
the degradation of its object? Is it with love as with worship? Is it a
_religion_, and holy when the object is pure and good? Is it a
_superstition_, and unholy when the object is impure and unworthy?
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