A Complete Guide to HeraldryFox-Davies, Arthur Charles
History
A Complete Guide to Heraldry
Fox-Davies, Arthur Charles
Heraldry -- Great Britain
With reference to the origin of these ordinaries, by the use of which term
is meant for the moment the rectilinear figures peculiar to armory, it may
be worth the passing mention that the said origin is a matter of some
mystery. Guillim and the old writers almost universally take them to be
derived from the actual military scarf or a representation of it placed
across the shield in various forms. Other writers, taking the surcoat and
its decoration as the real origin of coats of arms, derive {109} the
ordinaries from the belt, scarf, and other articles of raiment. Planché, on
the other hand, scouted such a derivation, putting forward upon very good
and plausible grounds the simple argument that the origin of the ordinaries
is to be found in the cross-pieces of wood placed across a shield for
strengthening purposes. He instances cases in which shields, apparently
charged with ordinaries but really strengthened with cross-pieces, can be
taken back to a period long anterior to the existence of regularised
armory. But then, on the other hand, shields can be found decorated with
animals at an equally early or even an earlier period, and I am inclined
myself to push Planché's own argument even farther than he himself took it,
and assert unequivocally that the ordinaries had in themselves no
particular symbolism and no definable origin whatever beyond that easy
method of making some pattern upon a shield which was to be gained by using
straight lines. That they ever had any military meaning, I cannot see the
slightest foundation to believe; their suggested and asserted symbolism I
totally deny. But when we can find, as Planché did, that shields were
strengthened with cross-pieces in various directions, it is quite natural
to suppose that these cross-pieces afforded a ready means of decoration in
colour, and this would lead a good deal of other decoration to follow
similar forms, even in the absence of cross-pieces upon the definite shield
itself. The one curious point which rather seems to tell against Planché's
theory is that in the earliest "rolls" of arms but a comparatively small
proportion of the arms are found to consist of these rectilinear figures,
and if the ordinaries really originated in strengthening cross-pieces one
would have expected a larger number of such coats of arms to be found; but
at the same time such arms would, in many cases, in themselves be so
palpably mere meaningless decoration of cross-pieces upon plain shields,
that the resulting design would not carry with it such a compulsory
remembrance as would a design, for example, derived from lines which had
plainly had no connection with the construction of the shield. Nor could it
have any such basis of continuity. Whilst a son would naturally paint a
lion upon his shield if his father had done the same, there certainly would
not be a similar inducement for a son to follow his father's example where
the design upon a shield were no more than different-coloured strengthening
Public-domain text, read in full here on John Shaqi.
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