A Complete Guide to HeraldryFox-Davies, Arthur Charles
History
A Complete Guide to Heraldry
Fox-Davies, Arthur Charles
Heraldry -- Great Britain
"The real genesis of the unicorn was probably this: at a time when armorial
bearings were becoming an indispensable part of a noble's equipment, the
attention of those knights who were fighting under the banner of the Cross
was attracted to the wild antelopes of Syria and Palestine. These animals
are armed with long, straight, spiral horns set close together, so that at
a side view they appeared to be but a single horn. To confirm this, there
are some old illuminations and drawings extant which endow the early
unicorn with many of the attributes of the deer and goat kind. The sort of
horn supposed to be carried by these Eastern antelopes had long been a
curiosity, and was occasionally brought back as a trophy by travellers from
the remote parts of the earth. There is a fine one to be seen to-day at the
abbey of St. Denis, and others in various collections in Europe. We now
know these so-called unicorn's horns, usually carved, to belong to that
marine monster the narwhal, or sea-unicorn. But the fable of a breed of
horned horses is at least as old as Pliny" [Had the "gnu" anything to do
with this?], "and centuries later the Crusaders, or the monkish artists who
accompanied them, attempted to delineate the marvel. From their first rude
sketches other artists copied; and so each presentment was passed along,
until at length the present form of the unicorn was attained. There was a
time--not so long ago--when the existence of the unicorn was as implicitly
believed in as the camel or any other animal not seen in these latitudes;
and the translators of the Bible set their seal upon the legend by
translating the Hebrew word _reem_ (which probably meant a rhinoceros) as
'unicorn.' Thus the worthy Thomas Fuller came to consider the existence of
the unicorn clearly proved by the mention of it in Scripture! Describing
{220} the horn of the animal, he writes, 'Some are plain, as that of St.
Mark's in Venice; others wreathed about it, which probably is the effect of
age, those wreaths being but the wrinkles of most vivacious unicorns. The
same may be said of the colour: white when newly taken from the head;
yellow, like that lately in the Tower, of some hundred years' seniority;
but whether or no it will soon turn black, as that of Plinie's description,
let others decide.'
"All the books on natural history so late as the seventeenth century
describe at length the unicorn; several of them carefully depict him as
though the artist had drawn straight from the life.
"If art had stopped here, the wonder of the unicorn would have remained but
a paltry thing after all. His finer qualities would have been unrecorded,
and all his virtues hidden. But, happily, instead of this, about the animal
first conceived in the brain of a Greek (as Pegasus also was), and embodied
through the fertile fancy of the Crusader, the monks and heraldists of the
Middle Ages devised a host of spiritual legends. They told of his pride,
his purity, his endurance, his matchless spirit.
Public-domain text, read in full here on John Shaqi.
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