A Complete Guide to HeraldryFox-Davies, Arthur Charles
History
A Complete Guide to Heraldry
Fox-Davies, Arthur Charles
Heraldry -- Great Britain
of the Tudor dynasty; and the Plantagenet period witnessed the rise of the
ceremonial and heraldic crest. But in the days when crests had any actual
existence they were made to fit the helmet, and the crests in Figs. 615-618
show crests very much more naturally disposed than those of later periods.
{335} Crests appear to have come into wider and more general use in Germany
at an earlier period than is the case in this country, for in the early
part of the thirteenth century seals are there to be met with having only
the device of helmet and crest thereupon, a proof that the "oberwappen"
(helmet and crest) was then considered of equal or greater value than the
shield.
[Illustration: FIG. 617.--Crest of William de Montagu, Earl of Salisbury
(d. 1344). (From his seal.)]
[Illustration: FIG. 618.--Crest of Thomas de Mowbray, Earl of Nottingham,
and Earl Marshal. (From a drawing of his seal, 1389: MS Cott., Julius, C.
vii.)]
The actual tournament crests were made of light material, pasteboard,
cloth, or a leather shell over a wood or wire framework filled with tow,
sponge, or sawdust. Fig. 271, which shows the shield, helmet, and crest of
the Black Prince undoubtedly contemporary, dating from 1376, and now
remaining in Canterbury Cathedral, is made of leather and is a good example
of an actual crest, but even this, there can be little doubt, was never
carried in battle or tournament, and is no more than a ceremonial crest
made for the funeral pageant.
The heraldic wings which are so frequently met with in crests are not the
natural wings of a bird, but are a development from the fan, and in actual
crests were made of wooden or basket-work strips, and probably at an
earlier date were not intended to represent wings, but were mere pieces of
wood painted and existing for the display of a certain device. Their shape
and position led to their transition into "wings," and then they were
covered with dyed or natural-coloured feathers. It was the art of heraldic
emblazonment which ignored the practical details, that first copied the
wing from nature.
Actual crests were fastened to the helmets they surmounted by {336} means
of ribbons, straps, laces (which developed later into the fillet and
torse), or rivets, and in Germany they were ornamented with hanging and
tinkling metal leaves, tiny bells, buffalo horns, feathers, and projecting
pieces of wood, which formed vehicles for still further decorative
appendages.
Then comes the question, what did the crest signify? Many have asserted
that no one below the rank of a knight had the right to use a crest; in
fact some writers have asserted, and doubtless correctly as regards a
certain period, that only those who were of tournament rank might assume
the distinction, and herein lies another confirmation of the supposition
that crests had a closer relation to the tournament than to the
battlefield.
Public-domain text, read in full here on John Shaqi.
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