A Complete Guide to HeraldryFox-Davies, Arthur Charles
History
A Complete Guide to Heraldry
Fox-Davies, Arthur Charles
Heraldry -- Great Britain
Whilst one can call to mind no instance of importance of ancient date where
this practice has been followed in this country, there are one or two
instances in the Garter plates which approximate closely to it. The
mantling of John, Lord Beaumont, is azure, semé-de-lis (as the field of his
arms), lined ermine. Those of Sir John Bourchier, Lord Berners, and of Sir
Henry Bourchier, Earl of Essex, are of gules, billetté or, evidently
derived from the quartering for Louvaine upon the arms, this quartering
being: "Gules, billetté and a fess or."
According to a MS. of Vincent, in the College of Arms, the Warrens used a
mantling chequy of azure and or with their arms.
A somewhat similar result is obtained by the mantling, "Gules, semé of
lozenges or," upon the small plate of Sir Sanchet Dabrichecourt. The
mantling of Sir Lewis Robessart, Lord Bourchier, is: "Azure, bezanté, lined
argent."
"The azure mantling on the Garter Plate of Henry V., as Prince of Wales, is
'semé of the French golden fleurs-de-lis.'... The Daubeny mantling is 'semé
of mullets.' On the brass of Sir John Wylcote, at Tew, the lambrequins are
chequy.... On the seals of Sir John Bussy, in 1391 and 1407, the mantlings
are barry, the coat being 'argent, three bars sable.'"
There are a few cases amongst the Garter plates in which badges are plainly
and unmistakably depicted upon the mantlings. Thus, on the lining of the
mantling on the plate of Sir Henry Bourchier (elected 1452) will be found
water-bougets, which are repeated on a fillet round the head of the crest.
The Stall plate of Sir John Bourchier, Lord {390} Berners, above referred
to (elected 1459), is lined with silver on the dexter side, semé in the
upper part with water-bougets, and in the lower part with Bourchier knots.
On the opposite side of the mantling the knots are in the upper part, and
the water-bougets below. That these badges upon the mantling are not
haphazard artistic decoration is proved by a reference to the monumental
effigy of the Earl of Essex, in Little Easton Church, Essex. The differing
shapes of the helmet, and of the coronet and the mantling, and the
different representation of the crest, show that, although depicted in his
Garter robes, upon his effigy the helmet, crest, and mantling upon which
the earl's head there rests, and the representations of the same upon the
Garter plate, are not slavish copies of the same original model.
Nevertheless upon the effigy, as on the Garter plate, we find the outside
of the mantling "semé of billets," and the inside "semé of water-bougets."
Another instance amongst the Garter plates will be found in the case of
Viscount Lovell, whose mantling is strewn with gold padlocks.
Public-domain text, read in full here on John Shaqi.
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