A Complete History of Music: for Schools, Clubs, and Private ReadingBaltzell, W. J. (Winton James)
History
A Complete History of Music: for Schools, Clubs, and Private Reading
Baltzell, W. J. (Winton James)
Music -- History and criticism
=Antonius Stradivarius=.—The greatest of violin-makers who united in
his instruments the brilliant and powerful tone of di Salo and the
Brescian school and the purity and finish of the Amati was =Antonius
Stradivarius= (Antonio Stradivari is the Italian form), born in 1644,
one year after the death of Monteverde, and died in 1737, five years
after the birth of Haydn, a period of nearly a century in which a
most significant development took place in music. He was apprenticed
to Nicolo Amati, and the instruments of his early years are faithful
copies of that master’s work; but as he grew in years and experience
he improved on the Amati model, every change tending to produce a more
powerful and resonant tone. The differences that strike the eye most
strongly are the larger proportions, the flatter arch of the top, and
the shape of the sound holes. In his earlier instruments he used a
yellowish varnish; after 1684, one of a reddish tint. Stradivarius
also fixed the form and adjustment of the bridge. He left two sons,
Francesco and Omoboni, who finished some of their father’s instruments
after his death. They both died five or six years later. Pupils of
Stradivarius who made excellent instruments were =Carlo Bergonzi=
(1712-1750), =Lorenzo Guadagnini= (1695-1740) and his son =Johannes
Baptista Guadagnini= (1750-1785) and =Alessandro Gagliano=.
=Other Makers=.—Germany’s contribution to violin-making dates from
=Jakob Stainer=, of Absam in Tyrol (1621-1683). Tradition has it that
he learned his art at Cremona; if so, his work shows no influence of
the Amati; his model is different, somewhat broader and shorter, the
arch of the belly is greater, and the sound holes are set differently;
the varnish varies from a brown to an amber color; the tone is sweet
and quick to respond, but lacks intensity. A follower of Stainer was
=Ægidius Klotz= (1653-1743), many of whose instruments were sold as
of Stainer’s make. France contributed no makers of great renown. The
names of importance are =Nicholas Lupot= (1758-1824), a follower
of Stradivarius, and =J. B. Vuillaume= (1799-1875). In England the
most distinguished names are =Richard Duke= and =Benjamin Banks=
(1727-1795).
Public-domain text, read in full here on John Shaqi.
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