A Complete History of Music: for Schools, Clubs, and Private ReadingBaltzell, W. J. (Winton James)
History
A Complete History of Music: for Schools, Clubs, and Private Reading
Baltzell, W. J. (Winton James)
Music -- History and criticism
=A Warlike People=.—This is almost entirely due to her geographical
position; there are many other reasons but they are almost all
dependent on this one, and so must be treated in a subordinate sense.
In her early days, England’s position served as a protection and
kept intact her wealth of native Folk-music; but with the advent of
the Romans and the spread of the knowledge of her natural wealth,
came invasion after invasion. Since the first invasion, England has
never been at peace; she has either been busily engaged in repelling
the enemy from her own shores, or aiding in a conquest of some less
fortunate foe. These wars and conquests not only served to cultivate
a militant and restless spirit, but also produced a race of fighters
from natural inclination. Look at the warlike Angles and Saxons,
note the mixture of Romans, Normans, Dutch and Huguenots, all at
the zenith of their fighting powers, and then cease to wonder that
England’s greatness has been in the power to fight, to govern, to make
conquests, rather than to cultivate art. England, when she reached the
stage of conquering rather than defending, began to give, more than
to acquire, and never reached the acquisitive stage until the present
time with Elgar and the lesser lights of the new school, unless we
except Shakespeare and his contemporaries in the realm of literature.
England’s cathedrals are but the results of European cathedral building
and the unity of Government and Church; had the Church and State always
been separate, it is safe to say that England would have waited much
longer for her cathedrals.
Public-domain text, read in full here on John Shaqi.
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