A Country Idyl, and Other StoriesBolton, Sarah Knowles
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A Country Idyl, and Other Stories
Bolton, Sarah Knowles
United States -- Social life and customs -- 19th century -- Fiction
“Will you, papa? Will you?” pleaded the child. “Right here where the
double daisies grow?”
“The garden will be gone, Waify.”
“But won’t you keep it for me, and bring me here?”
“Yes, darling. Yes, little one!” and they went home, the one
light-hearted with the prospect of school again, the other saddened
with a thought that seemed a prophecy.
A few days of joyous life went by. The little school-girl seemed less
fond of play, more clinging to her adopted father, more thoughtful;
then a slow fever, that seemed to have been inherited rather than
the result of contagion, came on, and Waify, now scarcely out of her
babyhood, was going to sleep through a long night.
Giles Mortimer watched her by day and by night, speechless; brought
the toys she loved, and laid them beside her; brought the blocks of
letters, and she took the “C” and put it under her pillow.
“Papa, we’ve had nice times together. Who’ll be your little girl when
Waify goes? Everybody has little girls. Perhaps somebody’ll bring you
one.”
While he blessed God that she had been given to make him the man he
was, he asked for no other in her place.
“But you must stay, Waify. I couldn’t be happy without you.”
“No, papa, I must go to ask God about my mamma, and perhaps I’ll come
back and tell you.”
How little do children know of the land from whence there is no return!
The day looked for, dreaded, came.
“Where’s the ‘C,’ papa?”
Clasping this tightly with one hand and Mortimer’s with the other,
looking sadly at the tears upon his cheeks, then joyfully out into the
space, she said, “Kiss Waify!” and was dead.
Giles Mortimer’s heart was mangled. The only thing he loved was taken.
There was a quiet gathering, and then he, with the sexton, took the
little one to the cave, dug a grave under the daisies in the very
centre of the garden, put a little tablet above it, and upon it the
large marble “C” that stood for cave, and went back to his duties to
work faithfully because her memory was something like her presence. The
house was desolate, but sacred because Waify had been there. Business
was interesting because entered upon for her; life was blessed because
she had lived. Prosperity came to him. He loved other children, but
there was only one Waify.
She had done her work. Through her love a man had known and found his
manhood—had taken his true place in the world, in genial intercourse,
in business power, in Christian benevolence. He has grown in position
with the growth of a large city, but he still calls it home where a
heart is buried, by the cave in Oconomowoc.
Perchance God told Waify of her mother, or told the mother of her
child, for, weeks after her death, Giles Mortimer found upon the grave
a touching token of a mother’s love—a wreath of immortelles wrought
into the word “Mother.”
THE BLACK AND TAN.
Public-domain text, read in full here on John Shaqi.
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