A Creature of the Night: An Italian EnigmaHume, Fergus
Philosophy
A Creature of the Night: An Italian Enigma
Hume, Fergus
British -- Italy -- Fiction; Mystery fiction
I now saw that my surmise was right, and that the Contessa had hidden
the body of the unfortunate Pallanza in the concealed tomb contrived
by Count Mastino Morone for his guilty wife. It was a horribly
ingenious idea that revolving pillar, and no one would have guessed
its ghastly secret without being shown. Doubtless the wicked Donna
Renata, shut up in this circular prison, had there starved slowly to
death in an upright position, for, of course, the cavity was too
narrow and too shallow to admit of any human being lying down. The
skilful devilry of the device made me feel quite ill, especially when
I thought how the worthy descendant of Borgia's accursed daughter had
utilised this secret cell for her own infamous purpose. In this
frightful oubliette the body of Guiseppe Pallanza would have remained
for ever concealed; but then, according to the evidence of my own
eyes, the body was not there.
That the Contessa had placed the corpse in the pillar I had not the
slightest doubt, as in showing the hiding-place she evidently expected
to overwhelm me by the hideous evidence of her barbarous criminality.
That the cavity was empty was as much a surprise to her as to me, and
the shriek of terror she had given when flying from the chamber showed
me that she was overpowered with fear at the thought that her gruesome
secret was shared by another person, for, putting me out of the
question altogether, there appeared to be a third party implicated in
this singular affair.
For my own part I believed it to be the man who had watched with me at
the curtained archway, and who, after drugging me, bore me insensible
from that terrible place. After doing so, and thus, according to his
idea, putting it out of my power to re-discover the palace, he had
returned to his post and seen the Contessa conceal the body of her
victim in the cavity of the pillar. On her departure, for some reason
best known to himself, he had removed the corpse, and hidden it
somewhere else. This was, no doubt, the true story of the affair, but
who was the man who had watched at the door, and who had taken away
the body of Pallanza? It was impossible to guess the reasons for his
behaving in this mysterious way, and the Contessa was evidently as
ignorant as myself of his actions, judging from her terrified flight
on discovering the truth. Whomsoever this unknown person was, he, to
all appearances, held the key to the whole riddle, and, could I find
him, I would doubtless learn the reason of Madame Morone's visit to
the burial-ground, and the final fate of the unhappy tenor whom she
had lured to his destruction.
Public-domain text, read in full here on John Shaqi.
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