A Critic in Pall Mall: Being Extracts from Reviews and MiscellaniesWilde, Oscar
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A Critic in Pall Mall: Being Extracts from Reviews and Miscellanies
Wilde, Oscar
Books -- Reviews; Literature -- History and criticism
Down along the rocky shore
Some make their home,
They live on crispy pancakes
Of yellow tide-foam;
Some in the reeds
Of the black mountain lake,
With frogs for their watch-dogs
All night awake.
High on the hill-top
The old King sits;
He is now so old and gray
He’s nigh lost his wits.
With a bridge of white mist
Columbkill he crosses,
On his stately journeys
From Slieveleague to Rosses;
Or going up with music,
On cold starry nights,
To sup with the Queen
Of the gay Northern Lights.
All lovers of fairy tales and folklore should get this little book. _The
Horned Women_, _The Priest’s Soul_, {157} and _Teig O’Kane_, are really
marvellous in their way; and, indeed, there is hardly a single story that
is not worth reading and thinking over.
_Fairy and Folk Tales of the Irish Peasantry_. Edited and Selected by W.
B. Yeats. (Walter Scott.)
MR. W. B. YEATS
(_Woman’s World_, March 1889.)
‘_The Wanderings of Oisin and Other Poems_ is, I believe, the first
volume of poems that Mr. Yeats has published, and it is certainly full of
promise. It must be admitted that many of the poems are too fragmentary,
too incomplete. They read like stray scenes out of unfinished plays,
like things only half remembered, or, at best, but dimly seen. But the
architectonic power of construction, the power to build up and make
perfect a harmonious whole, is nearly always the latest, as it certainly
is the highest, development of the artistic temperament. It is somewhat
unfair to expect it in early work. One quality Mr. Yeats has in a marked
degree, a quality that is not common in the work of our minor poets, and
is therefore all the more welcome to us—I mean the romantic temper. He
is essentially Celtic, and his verse, at its best, is Celtic also.
Strongly influenced by Keats, he seems to study how to ‘load every rift
with ore,’ yet is more fascinated by the beauty of words than by the
beauty of metrical music. The spirit that dominates the whole book is
perhaps more valuable than any individual poem or particular passage, but
this from _The Wanderings of Oisin_ is worth quoting. It describes the
ride to the Island of Forgetfulness:
And the ears of the horse went sinking away in the hollow light,
For, as drift from a sailor slow drowning the gleams of the world
and the sun,
Ceased on our hands and faces, on hazel and oak leaf, the light,
And the stars were blotted above us, and the whole of the world
was one;
Till the horse gave a whinny; for cumbrous with stems of the hazel
and oak,
Of hollies, and hazels, and oak-trees, a valley was sloping away
From his hoofs in the heavy grasses, with monstrous slumbering folk,
Their mighty and naked and gleaming bodies heaped loose where they
lay.
Public-domain text, read in full here on John Shaqi.
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