The music-room was deserted when I went there; but it was made warm and
pleasant by the sun shining brightly in at the doors opening to the
south. I went on to the extreme end of the room, remembering now that I
had seen some volumes there when I had no time or inclination to look at
them, and I wanted something to read; for although I found reading very
irksome at this period, there was really little else I could do. I found
the books--three volumes--in the lower part of an alcove in the wall;
above them, within a niche in the alcove, on a level with my face as I
stood there, I observed a bulb-shaped bottle, with a long thin neck,
very beautifully colored. I had seen it before, but without paying
particular attention to it, there being so many treasures of its kind in
the house; now, seeing it so closely, I could not help admiring its
exquisite beauty, and feeling puzzled at the scene depicted on it. In
the widest part it was encircled with a band, and on it appeared slim
youths and maidens, in delicate, rose-colored garments, with butterfly
wings on their shoulders, running or hurriedly walking, playing on
instruments of various forms, their faces shining with gladness, their
golden hair tossed by the wind--a gay procession, without beginning or
end. Behind these joyful ones, in pale gray, and half-obscured by the
mists that formed the background, appeared a second procession, hurrying
in an opposite direction--men and women of all ages, but mostly old,
with haggard, woebegone faces; some bowed down, their eyes fixed on the
ground; others wringing their hands, or beating their breasts; and all
apparently suffering the utmost affliction of mind.
Above the bottle there was a deep circular cell in the alcove, about
fifteen inches in diameter; fitted in it was a metal ring, to which were
attached golden strings, fine as gossamer threads: behind the first ring
was a second, and further in still others, all stringed like the first,
so that looking into the cell it appeared filled with a mist of golden
cobweb.
Public-domain text, read in full here on John Shaqi.
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